Music and sonic art : theories and practices / edited by Mine Doğantan and John Dack.

Print version record.

This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.

Includes bibliographical references and index.

Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / Adam Stanović -- The listener's perspective / Per Dahl -- A sketch for a hermeneutic phenomenology of the piano / Mine Doğantan-Dack -- Hugh Davies' Shozyg I / Settimio Fiorenzo Palermo -- The sound world of guitar multiphonics / Rita Torres and Paulo Ferreira-Lopes -- Feldman, sonic art and the aesthetics of surface / Francis Heery -- Multimodal references in Schaeffer's Treatise on Musical Objects / John Dack -- Composing the performing as problem solving / Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / Tom Armstrong -- From the scientific to the sonic: Vera Rubin and the sound of dark matter / Nina Whiteman -- Artistic research in jazz: a case study and potential developments / Michael Kahr -- Negotiating sonic space for group electronics / Owen Green and Sean Williams -- Sound practices: the sonic and the musical in interdisciplinary improvisation / James Andean and Alejandro Olarte.

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