Music and sonic art : theories and practices /
Music and sonic art : theories and practices /
edited by Mine Doğantan and John Dack.
- 1 online resource (xii, 245 pages)
Includes bibliographical references and index.
Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / The listener's perspective / A sketch for a hermeneutic phenomenology of the piano / Hugh Davies' Shozyg I / The sound world of guitar multiphonics / Feldman, sonic art and the aesthetics of surface / Multimodal references in Schaeffer's Treatise on Musical Objects / Composing the performing as problem solving / From the scientific to the sonic: Vera Rubin and the sound of dark matter / Artistic research in jazz: a case study and potential developments / Negotiating sonic space for group electronics / Sound practices: the sonic and the musical in interdisciplinary improvisation / Adam Stanović -- Per Dahl -- Mine Doğantan-Dack -- Settimio Fiorenzo Palermo -- Rita Torres and Paulo Ferreira-Lopes -- Francis Heery -- John Dack -- Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / Tom Armstrong -- Nina Whiteman -- Michael Kahr -- Owen Green and Sean Williams -- James Andean and Alejandro Olarte.
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.
9781527524743 (electronic bk.) 1527524744 (electronic bk.)
9781527524743 Cambridge Scholars Publishing
GBB918083 bnb
019215649 Uk
Sound in art.
ART--History--General.
Sound in art.
Klangkunst
Electronic books.
NX650.S68 / M87 2018eb
709.04/07
Includes bibliographical references and index.
Beyond the fixity fallacy: rethinking the work concept in the age of electronic music / The listener's perspective / A sketch for a hermeneutic phenomenology of the piano / Hugh Davies' Shozyg I / The sound world of guitar multiphonics / Feldman, sonic art and the aesthetics of surface / Multimodal references in Schaeffer's Treatise on Musical Objects / Composing the performing as problem solving / From the scientific to the sonic: Vera Rubin and the sound of dark matter / Artistic research in jazz: a case study and potential developments / Negotiating sonic space for group electronics / Sound practices: the sonic and the musical in interdisciplinary improvisation / Adam Stanović -- Per Dahl -- Mine Doğantan-Dack -- Settimio Fiorenzo Palermo -- Rita Torres and Paulo Ferreira-Lopes -- Francis Heery -- John Dack -- Charise Hastings -- An experimental turn: a composer's perspective on a changing practice / Tom Armstrong -- Nina Whiteman -- Michael Kahr -- Owen Green and Sean Williams -- James Andean and Alejandro Olarte.
This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.
9781527524743 (electronic bk.) 1527524744 (electronic bk.)
9781527524743 Cambridge Scholars Publishing
GBB918083 bnb
019215649 Uk
Sound in art.
ART--History--General.
Sound in art.
Klangkunst
Electronic books.
NX650.S68 / M87 2018eb
709.04/07