000 | 01754cam a2200313 a 4500 | ||
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001 | 15585310 | ||
005 | 20141121020003.0 | ||
008 | 090113s2009 enka b 001 0 eng | ||
010 | _a 2009000049 | ||
020 | _a9780521499170 | ||
035 | _a(OCoLC)ocn268793294 | ||
040 |
_aDLC _cDLC _dBTCTA _dYDXCP _dBWKUK _dBWK _dSUC _dOCLCQ _dNLE _dSINIE _dBWX _dCDX _dDLC |
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050 | 0 | 0 |
_aPN2101 _b.P67 2009 |
082 | 0 | 0 |
_a792.09 _222 |
082 | 0 | 0 |
_a792.09 _222 _bPO-C |
100 | 1 |
_aPostlewait, Thomas _93002 |
|
245 | 1 | 4 | _aCambridge introduction to theatre historiography |
260 |
_aCambridge _bCambridge University Press _c2009 |
||
300 |
_axi,346p. _bill. ; _c24 cm. |
||
490 | 1 | _aCambridge introductions to literature | |
504 | _aIncludes bibliographical references (p. [300]-338) and index. | ||
505 | 0 | _aIntroduction: on some preliminary matters -- Documentary history vs. cultural history: two case studies -- Documentary histories: the case of Shakespeare's Globe Theatre -- Cultural histories: the case of Alfred Jarry's Ubu roi -- Historical vs. theatrical events -- The historical event -- The theatrical event -- Placing events within their contexts -- The criteria for periodization in theatre history: definitive categories for events -- The idea of the "political" in our histories of theatre: causal contexts for events -- Summing up -- The theatrical event and its conditions: a primer with twelve cruxes. | |
650 | 0 |
_aTheater _xHistoriography. _91863 |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2ddc _01 |
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999 |
_c35546 _d35546 |