000 | 03117namaa2200553uu 4500 | ||
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001 | oapen85036 | ||
003 | oapen | ||
005 | 20231221124910.0 | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 231113s2024 xx |||||o ||| 0|eng d | ||
020 | _a978-3-031-15313-6 | ||
020 | _a9783031153129 | ||
020 | _a9783031153136 | ||
024 | 7 |
_a10.1007/978-3-031-15313-6 _2doi |
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040 |
_aoapen _coapen |
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041 | 0 | _aeng | |
042 | _adc | ||
072 | 7 |
_aAPFN _2bicssc |
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072 | 7 |
_aAV _2bicssc |
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072 | 7 |
_aHPC _2bicssc |
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072 | 7 |
_aJKV _2bicssc |
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100 | 1 |
_aAmico, Stephen _4auth _9727070 |
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245 | 1 | 0 |
_aEthnomusicology, Queerness, Masculinity _bSilence=Death |
260 |
_aCham _bSpringer Nature _c2024 |
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300 | _a1 electronic resource (240 p.) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
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520 | _aThis open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity-indissolubly linked to coloniality and epistemic hegemony-and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology's fetishization of masculinizing fieldwork; queerness's functioning as Anglophone master category; and both domains' devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies. | ||
536 | _aUniversitetet i Bergen | ||
540 |
_aCreative Commons _fby/4.0/ _2cc _uhttp://creativecommons.org/licenses/by/4.0/ |
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546 | _aEnglish | ||
650 | 7 |
_aCrime & criminology _2bicssc _9879342 |
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650 | 7 |
_aFilm: styles & genres _2bicssc _9854673 |
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650 | 7 |
_aHistory of Western philosophy _2bicssc _9915410 |
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650 | 7 |
_aMusic _2bicssc |
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653 | _aaffect | ||
653 | _aAIDS | ||
653 | _acritical race studies | ||
653 | _aethnomusicology | ||
653 | _aLGBT | ||
653 | _amasculinity | ||
653 | _anon-normative sexualities | ||
793 | 0 | _aOAPEN Library. | |
856 | 4 | 0 |
_uhttps://library.oapen.org/bitstream/id/dbb971bf-71cc-4b89-9155-9994121c3aa3/978-3-031-15313-6.pdf _70 _zOpen Access: OAPEN Library, download the publication |
856 | 4 | 0 |
_uhttps://library.oapen.org/handle/20.500.12657/85036 _70 _zOpen Access: OAPEN Library: description of the publication |
999 |
_c3087400 _d3087400 |