| 000 | 05647naaaa2201309uu 4500 | ||
|---|---|---|---|
| 001 | https://directory.doabooks.org/handle/20.500.12854/87519 | ||
| 005 | 20220714201835.0 | ||
| 020 | _abooks978-3-0365-4296-6 | ||
| 020 | _a9783036542959 | ||
| 020 | _a9783036542966 | ||
| 024 | 7 |
_a10.3390/books978-3-0365-4296-6 _cdoi |
|
| 041 | 0 | _aEnglish | |
| 042 | _adc | ||
| 072 | 7 |
_aGP _2bicssc |
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| 072 | 7 |
_aP _2bicssc |
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| 100 | 1 |
_aPapadakis, Nikolaos M. _4edt _91629531 |
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| 700 | 1 |
_aGarai, Massimo _4edt _91629532 |
|
| 700 | 1 |
_aGeorgios, Stavroulakis _4edt _91629533 |
|
| 700 | 1 |
_aPapadakis, Nikolaos M. _4oth _91629531 |
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| 700 | 1 |
_aGarai, Massimo _4oth _91629532 |
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| 700 | 1 |
_aGeorgios, Stavroulakis _4oth _91629533 |
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| 245 | 1 | 0 | _aAdvances in Architectural Acoustics |
| 260 |
_aBasel _bMDPI - Multidisciplinary Digital Publishing Institute _c2022 |
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| 300 | _a1 electronic resource (356 p.) | ||
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aSatisfactory acoustics is crucial for the ability of spaces such as auditoriums and lecture rooms to perform their primary function. The acoustics of dwellings and offices greatly affects the quality of our life, since we are all consciously or subconsciously aware of the sounds to which we are daily subjected. Architectural acoustics, which encompasses room and building acoustics, is the scientific field that deals with these topics and can be defined as the study of generation, propagation, and effects of sound in enclosures. Modeling techniques, as well as related acoustic theories for accurately calculating the sound field, have been the center of many major new developments. In addition, the image conveyed by a purely physical description of sound would be incomplete without regarding human perception; hence, the interrelation between objective stimuli and subjective sensations is a field of important investigations. A holistic approach in terms of research and practice is the optimum way for solving the perplexing problems which arise in the design or refurbishment of spaces, since current trends in contemporary architecture, such as transparency, openness, and preference for bare sound-reflecting surfaces are continuing pushing the very limits of functional acoustics. All the advances in architectural acoustics gathered in this Special Issue, we hope that inspire researchers and acousticians to explore new directions in this age of scientific convergence. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc _4https://creativecommons.org/licenses/by/4.0/ |
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| 546 | _aEnglish | ||
| 650 | 7 |
_aResearch & information: general _2bicssc _9928234 |
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| 650 | 7 |
_aMathematics & science _2bicssc _91014621 |
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| 653 | _aacoustic measurements | ||
| 653 | _aimpulse response measurements | ||
| 653 | _aomnidirectional source | ||
| 653 | _adodecahedron | ||
| 653 | _aacoustic parameters | ||
| 653 | _asound source | ||
| 653 | _areverberation time | ||
| 653 | _aISO 3382 | ||
| 653 | _aauralization | ||
| 653 | _asound absorption | ||
| 653 | _aperforated panels | ||
| 653 | _amicro-perforated panels | ||
| 653 | _aresonant absorbers | ||
| 653 | _afrequency domain | ||
| 653 | _aPUFEM | ||
| 653 | _aroom acoustics | ||
| 653 | _awave-based method | ||
| 653 | _adiscretization error | ||
| 653 | _aexplicit method | ||
| 653 | _afinite element method | ||
| 653 | _ahigh order scheme | ||
| 653 | _aroom acoustic simulations | ||
| 653 | _atime domain | ||
| 653 | _ashoebox concert hall | ||
| 653 | _adiffusive surfaces | ||
| 653 | _adiffusers location | ||
| 653 | _aacoustical parameters | ||
| 653 | _avariable acoustics | ||
| 653 | _asubjective investigation | ||
| 653 | _aacoustics | ||
| 653 | _aopera house | ||
| 653 | _aintangible cultural heritage | ||
| 653 | _aopen-air ancient theatres | ||
| 653 | _aISO 3382-1 | ||
| 653 | _afirecrackers | ||
| 653 | _abuilding acoustics | ||
| 653 | _asound absorption coefficient | ||
| 653 | _aprediction models | ||
| 653 | _asupervised learning method | ||
| 653 | _aworship space acoustics | ||
| 653 | _aacoustics simulation | ||
| 653 | _aacoustic heritage | ||
| 653 | _aarchaeo-acoustics | ||
| 653 | _aacoustic subspaces | ||
| 653 | _aFDTD simulation | ||
| 653 | _aspeech intelligibility | ||
| 653 | _aopen-plan offices | ||
| 653 | _aspatial decay | ||
| 653 | _aISO 3382-3 | ||
| 653 | _aroom absorption | ||
| 653 | _aoffice noise | ||
| 653 | _aspeech | ||
| 653 | _acalculation models | ||
| 653 | _aabsorption | ||
| 653 | _ascattering | ||
| 653 | _aairflow resistivity | ||
| 653 | _along space | ||
| 653 | _acoherent image source method | ||
| 653 | _asound-absorbing boundary | ||
| 653 | _asound field modeling | ||
| 653 | _ascale-model experiment | ||
| 653 | _areflection power | ||
| 653 | _aroom response | ||
| 653 | _adirectional decay rates | ||
| 653 | _aroom modes | ||
| 653 | _aeigenbeam processing | ||
| 653 | _aspatial correlation | ||
| 653 | _aconcert hall acoustics | ||
| 653 | _alateral reflections | ||
| 653 | _ashoebox typology | ||
| 653 | _aspatial impression | ||
| 653 | _aperception thresholds | ||
| 653 | _askeletal reflections | ||
| 653 | _areflection sequence | ||
| 653 | _aseat dip effect | ||
| 653 | _aseat height | ||
| 653 | _aseat spacing | ||
| 653 | _amechanism | ||
| 653 | _an/a | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://mdpi.com/books/pdfview/book/5717 _70 _zDOAB: download the publication |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/87519 _70 _zDOAB: description of the publication |
| 999 |
_c3026799 _d3026799 |
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