000			02190naaaa2200301uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/28462
005			20220714152528.0
020			_a9780367539405
020			_a9781003029199
020			_a9780367465117
041	0		_aEnglish
042			_adc
072		7	_aAC _2bicssc
100	1		_aJurkowlaniec, Grażyna _4edt _91561021
700	1		_aHerman, Magdalena _4edt _91561022
700	1		_aJurkowlaniec, Grażyna _4oth _91561021
700	1		_aHerman, Magdalena _4oth _91561022
245	1	0	_aThe Reception of the Printed Image in the Fifteenth and Sixteenth Centuries : Multiplied and Modified
260			_bTaylor & Francis _c2020
300			_a1 electronic resource (324 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis book examines the early development of the graphic arts from the perspectives of material things, human actors and immaterial representations while broadening the geographic field of inquiry to Central Europe and the British Isles and considering the reception of the prints on other continents. The role of human actors proves particularly prominent, i.e. the circumstances that informed creators', producers', owners' and beholders' motivations and responses. Certainly, such a complex relationship between things, people and images is not an exclusive feature of the pre-modern period's print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms and thus provides a fruitful point of departure for further study of the development of the various functions and responses to printed images in the sixteenth century. The book will be of interest to scholars working in art history, print history, book history and European studies.
540			_aAll rights reserved _4http://oapen.org/content/about-rights
546			_aEnglish
650		7	_aHistory of art / art & design styles _2bicssc _9912699
653			_aart history; Renaissance; printed images; visual culture; European art history
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/28462 _70 _zDOAB: description of the publication
999			_c2971175 _d2971175