000 03301cam a22004454a 4500
001 musev2_76473
003 MdBmJHUP
005 20220713154400.0
006 m o d
007 cr||||||||nn|n
008 200522s2015 nyu o 00 0 eng d
010 _z 2019474034
020 _a9780692298374
020 _z0692298371
035 _a(OCoLC)1162988195
040 _aMdBmJHUP
_cMdBmJHUP
050 0 4 _aBD460.O74
100 1 _aFernando, Jeremy,
_eauthor.
_91548937
245 1 0 _a[Given, If, Then] :
_bA Reading in Three Parts /
_cJeremy Fernando, Jennifer Hope Davy, Julia Hölzl.
264 1 _aBrooklyn, NY :
_bBABEL Working Group
_c[2015]
264 3 _aBaltimore, Md. :
_bProject MUSE,
_c2020
264 4 _c©[2015]
300 _a1 online resource (1 electronic resource 98 pages) :
_bcolor illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
505 0 _aPrologue -- Blind reading / Jeremy Fernando -- Pictures / Jennifer Hope Davy -- III / Julia Hölzl.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 _a[Given, If, Then] attempts to conceive a possibility of reading, through a set of readings: reading being understood as the relation to an Other that occurs prior to any semantic or formal identification, and, therefore, prior to any attempt at assimilating, or appropriating, what is being read to the one who reads. As such, it is an encounter with an indeterminable Other, an Other who is other than other -- an unconditional relation, and thus a relation to no fixed object of relation. The first reading by Jeremy Fernando, "Blind Reading," unfolds through an attempt to speak of reading as an event. Untheorisable in itself, it is a positing of reading as reading, through reading, where texts are read as a test site for reading itself. As such, it is a meditation on the finitude and exteriority in literature, philosophy, and knowledge; where blindness is both the condition and limit of reading itself. Folded into, or in between, this (re)reading are a selection of photographs from Jennifer Hope Davy's image archive. They are on the one hand simply a selection of 'impartial pictures' taken, and on the other hand that which allow for something singular and, therefore, always other to dis/appear -- crossing that borderless realm between 'some' and 'some-thing.' Eventually, there is a writing on images on writings by Julia Hölzl. A responding to the impossible response, a re-iteration, a re-reading of what could not have been written, a re-writing of what could not have been read; these poems, if one were to name them such, name them as such, answer (to) the impossibility of answering: answer to no call.
588 _aDescription based on print version record.
650 0 _aOther (Philosophy) in literature.
_9259542
650 0 _aOther (Philosophy) in art.
_91061291
650 0 _aOther (Philosophy)
_941269
655 7 _aElectronic books.
_2local
700 1 _aHölzl, Julia,
_eauthor.
_91548938
700 1 _aDavy, Jennifer Hope,
_eauthor.
_91548939
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
_973465
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/76473/
999 _c2958871
_d2958871