| 000 | 05846cam a2200853Mu 4500 | ||
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| 001 | ocn769344120 | ||
| 003 | OCoLC | ||
| 005 | 20220713085137.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 111226s1995 ne ob 001 0 eng d | ||
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| 050 | 4 | _aPN98.D43 T45 1995 | |
| 072 | 7 |
_aLIT _x006000 _2bisacsh |
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| 082 | 0 | 4 | _a801 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aTejera, V. _q(Victorino) _9290796 |
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| 245 | 1 | 0 | _aLiterature, Criticism, and the Theory of Signs. |
| 260 |
_aAmsterdam : _bJohn Benjamins Publishing Company, _c1995. |
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| 300 | _a1 online resource (168 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 490 | 1 |
_aSemiotic crossroads, _x0922-5072 ; _vv. 7 |
|
| 588 | 0 | _aPrint version record. | |
| 505 | 0 | _aLITERATURE, CRITICISM, AND THE THEORY OF SIGNS; Editorial page; Title page; Copyright page; Dedication; Table of contents; PREFACE; INTRODUCTION. A Guideto the Project Undertaken by this Book; Chapter 1. Bakhtin, Dialogism, and Plato's Dialogues; 1. The Dialogical Nature of Dostoyevsky's Narratives; 2. The Dialogical Nature of Speech and Thought; 3. Dialogical Poetics in Dostoyevsky and Plato; 4. Problems in Bakhtin's Poetics; 5. The Voices That We Hear in Plato's Dialogues; Chapter 2. The Text, the Work, and the Reader; 1. The Need for Text Reception History and an Aesthetics of Reading. | |
| 505 | 8 | _a2. Peirce's Account of Interpretants and their Signs3. The Generic Identity of the Literary Work, and Its Design; 4. The Mode of Judgment of the Work, and of Its Responsive Articulation; Chapter 3. Deconstruction as Poetics; 1. Deconstruction and the Sense of Structure; 2. Deconstructive Attitudes toward Writing; 3. Dialogism and Sophism, Logicism and Creative Rationality; 4. The Aesthetics of Non-Graphicist Deconstruction; Chapter 4. The Modes of Judgment & the Nature of Criticism; 1. Reprise on the Semiotic Approach to Literary Significance; 2. The Poetics of Aristotle and Buchler. | |
| 505 | 8 | _a3. Poetic Responsiveness as the Model of Valid Reading4. Mimêsis as Re-enactment and Expression; 5. Assertive, Active, and Exhibitive Judgment; 6. Reading as a Communicative Interaction; 7. Testing Peirce's Semeiotic: the Problem of Metaphor; Chapter 5. The Contexts of Reading; 1. Flawed Texts, Flawed Readings; 2. The Transactional Nature of Critical Reading; 3. Poststructural Criticism, Modernism and Postmodernism; 4. Context-Determined Misreadings; Chapter 6. The Semiotics of Reading; 1. The Reader; 2. The Critic; 3. On the Dependency and Autonomy of Criticism. | |
| 505 | 8 | _aAppendix: Ten Classes of SignsBIBLIOGRAPHY; INDEX. | |
| 520 | _aFollowing Peirce in his non-reductive understanding of the theory of signs as a branch of aesthetics, this book reconceptualizes the processes of literary creation, appreciation and reading in semiotic terms. Here is a carefully developed theory of what sort of criteria serve to distinguish apposite from inapposite readings of literary works-of-art. Given Peirce's triadic account of signification, it enlarges Aristotle's view of mimesis as expressive making into an understanding of literary works as deliberatively designed sign-systems belonging to Peirce's eighth class of signs. In parallel w. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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| 650 | 0 | _aCriticism. | |
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_aSémiotique et littérature. _9870179 |
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| 655 | 0 | _aElectronic books. | |
| 655 | 4 | _aElectronic books. | |
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_iPrint version: _aTejera, Victorino. _tLiterature, Criticism, and the Theory of Signs. _dAmsterdam : John Benjamins Publishing Company, ©1995 _z9789027219480 |
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_aSemiotic crossroads ; _vv. 7. |
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