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001 | ocn755882951 | ||
003 | OCoLC | ||
005 | 20220713075848.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 100716t20102010onca ob 000 0 eng d | ||
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016 | _z20109045904 (print) | ||
016 | _a20109045904 | ||
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_a791.430233092 _222 |
049 | _aMAIN | ||
100 | 1 |
_aWershler-Henry, Darren S. _q(Darren Sean), _d1966- _91011291 |
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245 | 1 | 0 |
_aGuy Maddin's My Winnipeg / _cDarren Wershler. |
246 | 3 | 0 | _aMy Winnipeg |
260 |
_aToronto [Ont.] : _bUniversity of Toronto Press, _c©2010 _e(Saint-Lazare, Quebec : _fCanadian Electronic Library, _g2011) |
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300 |
_a1 online resource (145 pages) : _billustrations, digital file. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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490 | 1 |
_aCanadian cinema ; _v6 |
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504 | _aIncludes bibliographical references. | ||
505 | 0 | _aBreaking and entering : an introduction -- Transfusions : biography and filmography -- The peculiar enchantments of Winnipeg : the commission -- A glorious dress-up chest : genre -- More ellipses : the city and circulation -- The forks beneath the forks : desire and drive -- Goat-glanding and other delights : narration and sound -- Viscous and cottony hallucinations : memory and haunted media -- Beautifully broken : conclusions. | |
520 | _aGuy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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_aMaddin, Guy, _d1956- _xCriticism and interpretation. _91522706 |
630 | 0 | 0 |
_aMy Winnipeg (Motion picture) _91522707 |
600 | 1 | 7 |
_aMaddin, Guy, _d1956- _2fast _0(OCoLC)fst00398715 _91522708 |
630 | 0 | 7 |
_aMy Winnipeg (Motion picture) _2fast _0(OCoLC)fst01787845 _91522707 |
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xDirection & Production. _2bisacsh _9850373 |
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650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xHistory & Criticism. _2bisacsh _986653 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
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_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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776 | 0 | 8 |
_iPrint version: _z9781442642461 |
830 | 0 |
_aCanadian cinema (Toronto, Ont.) ; _v6. _9888239 |
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