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| 001 | ocn726747130 | ||
| 003 | OCoLC | ||
| 005 | 20220713063938.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 110523s1997 ctua ob 001 0 eng d | ||
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_a792.8 _222 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aAlbright, Ann Cooper. _9282936 |
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| 245 | 1 | 0 |
_aChoreographing difference : _bthe body and identity in contemporary dance / _cAnn Cooper Albright. |
| 260 |
_a[Middletown, Conn.] : _bWesleyan University Press ; _aHanover, NH : _bUniversity Press of New England, _c©1997. |
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| 300 |
_a1 online resource (xxvi, 216 pages) : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 205-210) and index. | ||
| 505 | 0 | _aMining the dancefield: feminist theory and contemporary dance -- Techno bodies: muscling with gender in contemporary dance -- Moving across difference: dance and disability -- Incalculable choreographies -- Dancing bodies and the stories they tell -- Embodying history: epic narrative and cultural identity in african-american dance. | |
| 520 | 1 | _a"The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity - a physical presence that moves with and through its gendered, racial, and social meanings. Though her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabited them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cutural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time."--Jacket | |
| 588 | 0 | _aPrint version record. | |
| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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| 650 | 0 |
_aModern dance _xSocial aspects. _9282937 |
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| 650 | 0 |
_aModern dance _xPsychological aspects. _9282938 |
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| 650 | 0 |
_aBody image. _939822 |
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| 650 | 0 | _aIdentity (Psychology) | |
| 650 | 0 |
_aSex in dance. _9137160 |
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| 650 | 2 |
_aBody Image _939822 |
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| 650 | 6 |
_aImage du corps. _9879589 |
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| 650 | 6 |
_aIdentité (Psychologie) _9878164 |
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| 650 | 6 |
_aSexualité dans la danse. _9935119 |
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| 650 | 7 |
_aPERFORMING ARTS _xDance _xModern. _2bisacsh _9869099 |
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| 650 | 7 |
_aPERFORMING ARTS _xDance _xClassical & Ballet. _2bisacsh _9869098 |
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| 650 | 7 |
_aPERFORMING ARTS _xDance _xReference. _2bisacsh _9869100 |
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| 650 | 7 |
_aBody image. _2fast _0(OCoLC)fst00835344 _939822 |
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| 650 | 7 |
_aIdentity (Psychology) _2fast _0(OCoLC)fst00966892 |
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| 650 | 7 |
_aModern dance _xPsychological aspects. _2fast _0(OCoLC)fst01024428 _9282938 |
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| 650 | 7 |
_aModern dance _xSocial aspects. _2fast _0(OCoLC)fst01024429 _9282937 |
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| 650 | 7 |
_aSex in dance. _2fast _0(OCoLC)fst01114460 _9137160 |
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| 650 | 1 | 7 |
_aDans. _2gtt _9896431 |
| 650 | 1 | 7 |
_aLichamelijkheid. _2gtt _91319214 |
| 650 | 1 | 7 |
_aIdentiteit. _2gtt _9866525 |
| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aAlbright, Ann Cooper. _tChoreographing difference. _d[Middletown, Conn.] : Wesleyan University Press ; Hanover, NH : University Press of New England, ©1997 _z0819563153 _w(DLC) 97017034 _w(OCoLC)36942466 |
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