000 | 08011cam a2201117 a 4500 | ||
---|---|---|---|
001 | ocn666925090 | ||
003 | OCoLC | ||
005 | 20220713045414.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 100929s2008 enkg ob 001 0 eng d | ||
010 | _a 2008298014 | ||
040 |
_aIDEBK _beng _epn _cIDEBK _dN$T _dUBY _dE7B _dOCLCQ _dFTU _dOCLCQ _dYDXCP _dREDDC _dOCLCQ _dOCLCF _dOCLCO _dOCL _dHUH _dEBLCP _dMNU _dOCLCO _dOCLCQ _dOCLCO _dOCLCQ _dOCL _dLOA _dOCLCO _dOCLCQ _dOCLCO _dCNNOR _dMOR _dPIFAG _dZCU _dOCLCQ _dMERUC _dOCLCQ _dU3W _dUUM _dSTF _dWRM _dOCLCQ _dICG _dVT2 _dAU@ _dOCLCO _dWYU _dYOU _dA6Q _dDKC _dAGLDB _dSNK _dOCLCQ _dOL$ _dOCLCQ _dG3B _dOCLCA _dOCLCQ _dUKCRE _dVLY _dUKAHL _dLUN _dAJS _dOCLCQ _dOCLCO _dOCLCQ _dTUHNV _dOCLCO |
||
019 |
_a236059652 _a505117777 _a646747546 _a663422655 _a668203891 _a761647233 _a815571904 _a819627461 _a839776613 _a960200987 _a961510499 _a962724751 _a988438041 _a992067991 _a1035692202 _a1037785515 _a1038600211 _a1055404162 _a1058872313 _a1066448022 _a1078069896 _a1083608998 _a1097166669 _a1153469005 _a1162391753 _a1171067306 _a1172039122 _a1228576929 _a1241912930 _a1243583601 |
||
020 |
_a9780511482069 _q(electronic bk.) |
||
020 |
_a051148206X _q(electronic bk.) |
||
020 |
_a9780511396861 _q(electronic bk.) |
||
020 |
_a0511396864 _q(electronic bk.) |
||
020 | _a9780511398384 | ||
020 | _a0511398387 | ||
020 | _a1281383430 | ||
020 | _a9781281383433 | ||
020 | _a0511399227 | ||
020 | _a9780511399220 | ||
020 | _a1107187338 | ||
020 | _a9781107187337 | ||
020 | _a9786611383435 | ||
020 | _a6611383433 | ||
020 | _a0511397631 | ||
020 | _a9780511397639 | ||
020 | _a0511396139 | ||
020 | _a9780511396137 | ||
020 |
_a9780521182386 _q(paperback) |
||
020 | _a0521182387 | ||
020 | _z052188814X | ||
020 | _z9780521888141 | ||
020 | _z9780511399220 | ||
024 | 8 | _a9786611383435 | |
029 | 1 |
_aAU@ _b000054964159 |
|
029 | 1 |
_aDEBBG _bBV044159227 |
|
029 | 1 |
_aNZ1 _b15495947 |
|
035 |
_a(OCoLC)666925090 _z(OCoLC)236059652 _z(OCoLC)505117777 _z(OCoLC)646747546 _z(OCoLC)663422655 _z(OCoLC)668203891 _z(OCoLC)761647233 _z(OCoLC)815571904 _z(OCoLC)819627461 _z(OCoLC)839776613 _z(OCoLC)960200987 _z(OCoLC)961510499 _z(OCoLC)962724751 _z(OCoLC)988438041 _z(OCoLC)992067991 _z(OCoLC)1035692202 _z(OCoLC)1037785515 _z(OCoLC)1038600211 _z(OCoLC)1055404162 _z(OCoLC)1058872313 _z(OCoLC)1066448022 _z(OCoLC)1078069896 _z(OCoLC)1083608998 _z(OCoLC)1097166669 _z(OCoLC)1153469005 _z(OCoLC)1162391753 _z(OCoLC)1171067306 _z(OCoLC)1172039122 _z(OCoLC)1228576929 _z(OCoLC)1241912930 _z(OCoLC)1243583601 |
||
037 |
_a138343 _bMIL |
||
050 | 4 |
_aMT90 _b.D36 2008 |
|
072 | 7 |
_aMUS _x041000 _2bisacsh |
|
072 | 7 |
_aAVA _2bicssc |
|
082 | 0 | 4 |
_a781.09034 _222 |
049 | _aMAIN | ||
100 | 1 |
_aDamschroder, David. _9286708 |
|
245 | 1 | 0 |
_aThinking about harmony : _bhistorical perspectives on analysis / _cDavid Damschroder. |
260 |
_aCambridge ; _aNew York : _bCambridge University Press, _c2008. |
||
300 |
_a1 online resource (ix, 331 pages) : _bmusic |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _aIncludes bibliographical references (pages 322-327) and index. | ||
505 | 0 | _aChord identification. Arabic and Roman numerals. Daube's three chords and the emergence of a function theory. Chordal roots. Mendelssohn's Wedding March and British harmonic theory -- Chordal embellishment. Rameau on suspensions. Kirnberger's incidental dissonances. Embellishment in a phrase by Chopin. Koch's Stammakkord and the dissonant ⁶₄. A Beethoven/Schubert connection. Berlioz and Fétis on embellishment -- Parallel and sequential progressions. Parallel motion in thirds or sixths. Chains of descending fifths. Langle's Tours de l'harmonie. Schubert's transformation of the ascending 5-6 sequence -- Harmonic progression. The artistic progression of harmonic triads. Rankings of chord successions. Portmann's rules of succession. The privileged fifth. Succession by third. Succession by second. Koch's model: Schubert's composition -- Chordal hierarchy. Passing note, passing chord. Reductive analysis in the nineteenth century. Hierarchy in fifth-related chords. Dehn on Beethoven -- Modulation to closely related keys. An analytical pioneer: Lampe. Chromatic pitches as modulatory triggers. Non-modulatory analysis. Multiple meaning. Prout's modulatory practice -- Chromatic chords: diminished/augmented. Chords via "licence". Enharmonicism. Diminished seventh chords in Weber's Euryanthe. Marx on diminished thirds (augmented sixths) . Weitzmann on diminished sevenths -- Chromatic chords: major and minor. ♭II: the strategy of denial. ♭II: strategies of inclusion. Non-diatonic goals of modulation. Rossini and the major mediant. Seyfried's and Schubert's modulations. A Wagnerian antipodal conundrum. A parallel progression in Verdi's Luisa Miller -- Epilogue -- Biographies of music theorists. | |
520 | 1 | _a"Focusing on music written in the period 1800-1850, Thinking About Harmony traces the responses of observant musicians to the music that was being created in their midst by composers including Beethoven, Schubert, and Chopin. It tells the story of how a separate branch of musical activity - music analysis - evolved out of the desire to make sense of the music, essential both to its enlightened performance and to its appreciation. The book integrates two distinct areas of musical inquiry - the history of music theory and music analysis - and the various notions that shape harmonic theory are put to the test through practical application, creating a unique and intriguing synthesis. Aided by an extensive compilation of carefully selected and clearly annotated music examples, readers can explore a panoramic projection of the era's analytical responses to harmony, thereby developing a more intimate rapport with the period."--Jacket | |
546 | _aEnglish. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
||
650 | 0 |
_aMusical analysis _xHistory _y19th century. _9286709 |
|
650 | 0 |
_aHarmony _xHistory. _91487071 |
|
650 | 0 |
_aMusic _xHistory and criticism. _984608 |
|
650 | 6 |
_aAnalyse musicale _xHistoire _y19e siècle. _91487072 |
|
650 | 6 |
_aHarmonie _xHistoire. _91487073 |
|
650 | 6 |
_aMusique _xHistoire et critique. _9881051 |
|
650 | 7 |
_aMUSIC _xInstruction & Study _xTheory. _2bisacsh _991626 |
|
650 | 7 |
_aHarmony. _2fast _0(OCoLC)fst00951531 _9148255 |
|
650 | 7 |
_aMusic _2fast _0(OCoLC)fst01030269 |
|
650 | 7 |
_aMusical analysis. _2fast _0(OCoLC)fst01030696 _9147481 |
|
650 | 7 |
_aMusikalische Analyse _2gnd _9877938 |
|
650 | 7 |
_aHarmonik _2gnd _9996856 |
|
650 | 7 |
_aHarmonik _yGeschichte 19. Jh. _2idsbb _91487074 |
|
650 | 7 |
_aHarmonielehre _yGeschichte 19. Jh. _2idsbb _91487075 |
|
650 | 7 |
_aHarmonielehre. _2idszbz _91476757 |
|
650 | 7 |
_aMusikalische Analyse. _2idszbz _9877938 |
|
648 | 7 |
_a1800-1899 _2fast _945357 |
|
648 | 7 |
_aGeschichte 1800-1850. _2idszbz _91018918 |
|
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
776 | 0 | 8 |
_iPrint version: _aDamschroder, David. _tThinking about harmony. _dCambridge ; New York : Cambridge University Press, 2008 _z9780521888141 _w(DLC) 2008298014 _w(OCoLC)191891559 |
856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=228123 |
938 |
_aAskews and Holts Library Services _bASKH _nAH13418991 |
||
938 |
_aAskews and Holts Library Services _bASKH _nAH37559660 |
||
938 |
_aEBL - Ebook Library _bEBLB _nEBL803080 |
||
938 |
_aebrary _bEBRY _nebr10229618 |
||
938 |
_aEBSCOhost _bEBSC _n228123 |
||
938 |
_aProQuest MyiLibrary Digital eBook Collection _bIDEB _n138343 |
||
938 |
_aYBP Library Services _bYANK _n2852363 |
||
938 |
_aYBP Library Services _bYANK _n3272442 |
||
938 |
_aYBP Library Services _bYANK _n7251281 |
||
938 |
_aYBP Library Services _bYANK _n2843945 |
||
994 |
_a92 _bINOPJ |
||
999 |
_c2931151 _d2931151 |