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003 | OCoLC | ||
005 | 20220713005337.0 | ||
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_a10.3138/9781442671379 _2doi |
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049 | _aMAIN | ||
100 | 1 |
_aMerritt, Juliette, _d1959- _91435993 |
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245 | 1 | 0 |
_aBeyond spectacle : _bEliza Haywood's female spectators / _cJuliette Merritt. |
260 |
_aToronto, Ont. : _bUniversity of Toronto Press, _c©2004. |
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300 | _a1 online resource (154 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
588 | 0 | _aPrint version record. | |
505 | 0 | _a""Contents""; ""Introduction � Gazing in the Eighteenth Century: Eliza Haywood's Specular Negotiations""; ""Chapter One: An Excess of Spectacle: The Failure of Female Curiosity in Love in Excess; or, the Fatal Enquiry""; ""Chapter Two: Peepers, Picts, and Female Masquerade: Performances of the Female Gaze in Fantomina; or, Love in a Maze""; ""Chapter Three: From Image to Text: The Discourse of Abandonment and Textual Agency in The British Recluse; or, The Secret History of Cleomira, Supposed Dead"" | |
505 | 8 | _a""Chapter Four: The Spectatorial Text: Spying, Writing, Authority in The Invisible Spy and Bath Intrigues""""Conclusion""; ""Notes""; ""Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W"" | |
520 | _aTheories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature? plays, novels, and pamphlets? during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking.Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well. | ||
546 | _aEnglish. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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600 | 1 | 0 |
_aHaywood, Eliza, _d1693?-1756 _xCriticism and interpretation. _91435994 |
600 | 1 | 0 |
_aHaywood, Eliza, _d1693?-1756 _xCharacters _xWomen. _91435995 |
650 | 0 | _aWomen in literature. | |
650 | 0 |
_aGaze in literature. _9344563 |
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650 | 6 |
_aFemmes dans la littérature. _9872367 |
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650 | 6 |
_aRegard dans la littérature. _9942760 |
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650 | 7 |
_aLITERARY CRITICISM _xWomen Authors. _2bisacsh _9869014 |
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650 | 7 |
_aLITERARY CRITICISM _xEuropean _xEnglish, Irish, Scottish, Welsh. _2bisacsh _980043 |
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650 | 7 |
_aGaze in literature. _2fast _0(OCoLC)fst00939347 _9344563 |
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650 | 7 |
_aWomen in literature. _2fast _0(OCoLC)fst01177912 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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776 | 0 | 8 |
_iPrint version: _aMerritt, Juliette. _tBeyond Spectacle : Eliza Haywood's Female Spectators. _dToronto : University of Toronto Press, ©2000 _z9780802035400 |
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