000 06441cam a2201021 i 4500
001 ocn303581845
003 OCoLC
005 20220712235928.0
006 m o d
007 cr cnu---unuuu
008 090212s2008 stk job 001 0 eng c
040 _aN$T
_beng
_erda
_epn
_cN$T
_dYDXCP
_dWAU
_dOCLCQ
_dIDEBK
_dOCLCQ
_dCDX
_dWSU
_dE7B
_dFHM
_dCNCGM
_dOCLCQ
_dOCLCO
_dOCLCQ
_dOTZ
_dOCLCQ
_dN$T
_dJSTOR
_dOCLCF
_dCOO
_dOCLCO
_dNLGGC
_dMERUC
_dEBLCP
_dAU@
_dDEBSZ
_dOCLCQ
_dAZK
_dLOA
_dUKOUP
_dGZM
_dCOCUF
_dAGLDB
_dCNNOR
_dMOR
_dPIFAG
_dZCU
_dOCLCQ
_dIOG
_dU3W
_dEZ9
_dSTF
_dWRM
_dOCLCQ
_dVTS
_dNRAMU
_dICG
_dOCLCQ
_dG3B
_dLVT
_dYOU
_dTKN
_dLEAUB
_dDKC
_dOCLCQ
_dM8D
_dOCLCQ
_dK6U
_dUX1
_dOCLCO
019 _a304174138
_a319604503
_a437240915
_a643583157
_a646771775
_a656454428
_a722693245
_a815754126
_a842626226
_a961518628
_a962620049
_a1175630438
020 _a9780748630523
_q(electronic bk.)
020 _a074863052X
_q(electronic bk.)
020 _a1281947709
020 _a9781281947703
020 _z9780748624553
_q(print)
020 _z0748624554
_q(print)
024 8 _a9786611947705
029 1 _aAU@
_b000048564132
029 1 _aAU@
_b000050963475
029 1 _aAU@
_b000051562402
029 1 _aAU@
_b000053044270
029 1 _aAU@
_b000060528764
029 1 _aCDX
_b9530753
029 1 _aDEBBG
_bBV043121440
029 1 _aDEBBG
_bBV044180439
029 1 _aDEBSZ
_b422042617
029 1 _aDEBSZ
_b431916616
029 1 _aGBVCP
_b1003600379
029 1 _aGBVCP
_b802777295
029 1 _aNZ1
_b14971949
029 1 _aAU@
_b000066750248
029 1 _aDKDLA
_b820120-katalog:999943083305765
035 _a(OCoLC)303581845
_z(OCoLC)304174138
_z(OCoLC)319604503
_z(OCoLC)437240915
_z(OCoLC)643583157
_z(OCoLC)646771775
_z(OCoLC)656454428
_z(OCoLC)722693245
_z(OCoLC)815754126
_z(OCoLC)842626226
_z(OCoLC)961518628
_z(OCoLC)962620049
_z(OCoLC)1175630438
037 _a194770
_bMIL
037 _a22573/cttk26g9
_bJSTOR
042 _apcc
043 _an-us---
050 4 _aPN1590.B5
_bH86 2008eb
072 7 _aJNF
_x017000
_2bisacsh
072 7 _aSOC002010
_2bisacsh
072 7 _aJFC
_2bicssc
082 0 4 _a808.823
_222
049 _aMAIN
100 1 _aHumphries, Reynold,
_eauthor.
_9612736
245 1 0 _aHollywood's blacklists :
_ba political and cultural history /
_cReynold Humphries.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c2008.
300 _a1 online resource (viii, 184 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _aIncludes bibliographical references (pages 164-173) and index.
505 0 0 _tThe background --
_tDrawing up the battle lines. Introduction --
_tHollywood and the union question --
_tThe war years, 1939-1945 --
_tHollywood strikes, the right strikes back --
_tFrom the hot war to the Cold War. The hearings of 1947 --
_tNone shall escape: the hearings of 1951-1953 --
_tThe anti-communist crusade on the screen --
_tLife (and death) on the blacklist --
_tConclusion.
588 0 _aPrint version record.
520 _aAre you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to answer the question in 1947 led to the decision by studio bosses to fire them and never to hire known Communists in the future. The Hearings led to scores of actors, writers and directors being named as Communists or sympathisers. All were blacklisted and fired. Hollywood's Blacklists is a history of the political and cultural factors relevant to understanding the why and the how of the various investigations of the alleged Communist infiltration of Hollywood. What was HUAC? What propaganda role did films play during World War II and the Cold War? What values were at stake in the confrontation between Left and Right that saw the former so resoundingly defeated and expelled from Hollywood? Answers to these and other questions are offered via analyses of the motives of the various players and of the tactics deployed by HUAC to reward collaboration and punish dissent. Key themes include: Trade unionism in Hollywood in the 1930s and 1940s Anti-Semitism and Nazism, Hollywood anti-Nazi propaganda films and the patriotic war effort The Cold War and concomitant hostility to all dissidence The consequences for Hollywood: the collapse of the liberal-Communist consensus; naming names; exile for many and the use of 'fronts' by blacklisted writers.
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aMotion picture industry
_zUnited States.
_919656
650 0 _aBlacklisting of entertainers
_zUnited States.
_9192404
650 0 _aBlacklisting of authors
_zUnited States.
_9165577
650 0 _aCommunism
_zUnited States.
650 6 _aCinéma
_xIndustrie
_zÉtats-Unis.
_91022697
650 6 _aListes noires d'artistes du spectacle
_zÉtats-Unis.
_91391605
650 6 _aListes noires d'auteurs
_zÉtats-Unis.
_91041789
650 6 _aCommunisme
_zÉtats-Unis.
_91339920
650 7 _aJUVENILE NONFICTION
_xDrama.
_2bisacsh
_91215642
650 7 _aSOCIAL SCIENCE
_xAnthropology
_xCultural.
_2bisacsh
_979888
650 7 _aBlacklisting of authors.
_2fast
_0(OCoLC)fst00833873
_9873931
650 7 _aBlacklisting of entertainers.
_2fast
_0(OCoLC)fst00833874
_919657
650 7 _aCommunism.
_2fast
_0(OCoLC)fst00870421
650 7 _aMotion picture industry.
_2fast
_0(OCoLC)fst01027150
_926917
651 7 _aUnited States.
_2fast
_0(OCoLC)fst01204155
655 0 _aElectronic books.
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aHumphries, Reynold.
_tHollywood's blacklists.
_dEdinburgh : Edinburgh University Press, 2008
_z0748624554
_w(OCoLC)258346344
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=258118
938 _aCoutts Information Services
_bCOUT
_n9530753
938 _aProQuest Ebook Central
_bEBLB
_nEBL380398
938 _aebrary
_bEBRY
_nebr10257696
938 _aEBSCOhost
_bEBSC
_n258118
938 _aProQuest MyiLibrary Digital eBook Collection
_bIDEB
_n194770
938 _aOxford University Press USA
_bOUPR
_nEDZ0000055500
938 _aYBP Library Services
_bYANK
_n7483403
938 _aYBP Library Services
_bYANK
_n2914528
994 _a92
_bINOPJ
999 _c2906642
_d2906642