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049 | _aMAIN | ||
245 | 0 | 0 |
_aUnwatchable / _cNicholas Baer, Maggie Hennefeld, Laura Horak, Gunnar Iversen. |
264 | 1 |
_aNew Brunswick, NJ : _bRutgers University Press, _c[2019] |
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264 | 4 | _c©2019 | |
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_a1 online resource : _b51 images |
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_tFrontmatter -- _tContents -- _tIntroduction: Envisioning the Unwatchable / _rBaer, Nicholas / Hennefeld, Maggie / Horak, Laura / Iversen, Gunnar -- _tPart I. Violence and Testimony -- _t1. Theorizing the Unwatchable -- _tUnwatchable / _rMitchell, W. J. T. -- _tThe Gaze from Within / _rGroys, Boris -- _tThe Unwatchable and the Unwatchable / _rHarney, Stefano / Moten, Fred -- _tMelting into Visibility / _rZupančič, Alenka -- _tPro Forma / _rSutherland, Meghan -- _t2. Spectacles of Destruction -- _tTerminal Radiance / _rCrary, Jonathan -- _tUnwatched/Unmanned: Drone Strikes and the Aesthetics of the Unseen / _rSaha, Poulomi -- _tBreakaway / _rBush, Alex -- _tThe Watchability of the Unwatchable: Television Disaster Coverage / _rWigoder, Meir -- _t3. Bearing Witness -- _tThe Incommensurable / _rGeimer, Peter -- _tNot Seeing Is Believing: The Unwatchable in Advocacy / _rTorchin, Leshu -- _tEven If She Had Been a Criminal: A Past Unwatched / _rGuerin, Frances -- _tDeframing Evidence: A Transmission from Los ingrávidos / _rWindhausen, Federico -- _tAlan Kurdi{u2019}s Body on the Shore / _rRegan Wills, Emily -- _t4. Visual Regimes of Racial Violence -- _tHeld Helpless in the Breach: On American History X / _rWolukau-Wanambwa, Stanley -- _tThe Flash of History: On the Unwatchable in Get Out / _rSexton, Jared -- _tNothing Is Unwatchable for All / _rJuhasz, Alexandra -- _tEmpathy .Complicity / _rBoyce Gillespie, Michael -- _t5. Spectacularization and Resistance -- _tEntertainment Value / _rVaid-Menon, Alok -- _tHolocausts, Hallowe{u2019}en, and Headdresses / _rButler, Alec -- _tUnwitnessable: Outrageous Ableist Impersonations and Unwitnessed Everyday Violence / _rPeers, Danielle -- _tPart II. Histories and Genres -- _t6. The Tradition of Provocateurs -- _tThe Two Unwatchables / _rGrønstad, Asbjørn -- _tReal Horrorshow / _rMizuta Lippit, Akira -- _tAsymmetries of Desire: Salò, or the 120 Days of Sodom / _rResmini, Mauro -- _tUnstomachable: Irréversible and the Extreme Cinema Tradition / _rFrey, Mattias -- _t7. Enduring the Avant-Garde -- _tUnwatchability by Choice: Isou{u2019}s Venom and Eternity / _rWall-Romana, Christophe -- _tThe Refusal of Spectacle: Debord{u2019}s Howls for Sade / _rBerger, Kenneth -- _tWarhol{u2019}s Empire: Unwatched and Unwatchable / _rHoberman, J. -- _tWarhol{u2019}s Empire / _rCarroll, Noël -- _tWatching Paint Dry / _rBalsom, Erika -- _t8. Visceral Responses to Horror -- _t2Peekaboo3: Thoughts on (Maybe Not) Seeing Two Horror Films / _rSobchack, Vivian -- _tWhy I Cannot Watch / _rRich, B. Ruby -- _tApotropes / _rYue, Genevieve -- _t9. Pornography and the Question of Pleasure -- _tI Am Curious (Butterball) / _rBright, Susie -- _tAt the Threshold to the Void / _rNichols, Bill -- _t10. Archives and the Disintegrating Image -- _tRestoring Blood Money / _rRongen-Kaynakçi, Elif -- _tTurning Garbo Watchable: From Swedish Bread Bun to Hollywood Goddess / _rOlsson, Jan -- _tTwilight of the Dead / _rStiasny, Philipp / Togler, Bennet -- _tPart III. Spectators and Objects -- _t11. Passionate Aversions -- _t2Sad!3: Why I Won{u2019}t Watch Antichrist / _rRosenbaum, Jonathan -- _tTransforming Nihilism / _rLee, Nathan -- _tOh, Inventiveness! Oh, Imaginativeness! Precious Cinema and Its Discontents: A Rant / _rHanich, Julian -- _tThe Biopic Is an Affront to the Cinema / _rSconce, Jeffrey -- _t12. Tedious Whiteness -- _tWhite Men Behaving Sadly / _rHalberstam, Jack -- _t2You Is Kind, You Is Smart, You Is Important3; or, Why I Can{u2019}t Watch The Help / _rMonk-Payton, Brandy -- _tTwo Tables and a Ladder: WCGW? / _rY. Chen, Mel -- _t13. Reality Trumpism -- _tTV Trumps / _rJoyrich, Lynne -- _tThe Once and Future Hillary: Why I Won{u2019}t Watch a TV Miniseries about the 2016 U.S. Presidential Election / _rDe Kosnik, Abigail -- _t14. Pedagogy and Campus Politics -- _tWhy We Can{u2019}t Take a Joke / _rPérez, Raúl -- _tThe Bridge and Unteachable Films / _rMalkowski, Jennifer -- _tSquirming in the Classroom: Fat Girl and the Ethical Value of Extreme Discomfort / _rKyrölä, Katariina -- _t15. The Triggered Spectator -- _tWhat Is an 2Unwatchable3 Film? (With Reference to Amour and Still Alice) / _rKaplan, E. Ann -- _tWatch at Your Own Peril / _rHammer, Barbara -- _tSects, Fries, and Videotape / _rEngland, Samuel -- _tOff Watch / _rSchneider, Rebecca -- _tAcknowledgments -- _tFilmography -- _tBibliography -- _tNotes on Contributors -- _tIndex |
520 | _aWe all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. From news coverage of terror attacks to viral videos of police brutality, and from graphic horror films to transgressive artworks, many of the images in our media culture might strike us as unsuitable for viewing. Yet what does it mean to proclaim something 2unwatchable3: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the 2unwatchable3 across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture. | ||
546 | _aIn English. | ||
555 | 0 | _aAvailable in electronic full text to members of the University via the Library web catalogue. | |
588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Sep 2019). | |
504 | _aIncludes bibliographical references and index. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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