000 06292cam a2200985 i 4500
001 on1091899632
003 OCoLC
005 20220712085740.0
006 m o d
007 cr cnu---unuuu
008 190408s2019 onca ob 001 0 eng d
040 _aN$T
_beng
_erda
_epn
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_dN$T
_dYDX
_dJSTOR
_dEBLCP
_dCELBN
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_dOCLCQ
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_dOCLCQ
_dMM9
_dOCLCQ
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_dOCLCQ
_dOCLCO
_dFAU
020 _a9781487511623
_q(electronic bk.)
020 _a1487511620
_q(electronic bk.)
020 _z9781487500696
_q(hardcover)
020 _z1487500696
_q(hardcover)
029 1 _aAU@
_b000065220634
035 _a(OCoLC)1091899632
037 _a22573/ctvfjdb64
_bJSTOR
043 _ae-uk-en
050 4 _aZ1003.5.G7
_bR45 2019
072 7 _aLAN
_x027000
_2bisacsh
072 7 _aLIT
_x007000
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072 7 _aHIS
_x037020
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072 7 _aLIT
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082 0 4 _a002.094209/031
_223
084 _acci1icc
_2lacc
049 _aMAIN
100 1 _aReid, Pauline,
_d1985-
_eauthor.
_91228357
245 1 0 _aReading by design :
_bthe visual interfaces of the English Renaissance book /
_cPauline Reid.
264 1 _aToronto ;
_aBuffalo ;
_aLondon :
_bUniversity of Toronto Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (xv, 283 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
520 _a"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."--
_cProvided by publisher
588 0 _aPrint version record.
505 0 _aCover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity
505 8 _a5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aBooks and reading
_zEngland
_xHistory
_y16th century.
_9161400
650 0 _aBooks and reading
_zEngland
_xHistory
_y17th century.
_9161401
650 0 _aEarly printed books
_zEngland
_y16th century.
_9989894
650 0 _aEarly printed books
_zEngland
_y17th century.
_91228358
650 0 _aLiterature publishing
_zEngland
_y16th century.
_91228359
650 0 _aLiterature publishing
_zEngland
_y17th century.
_91228360
650 0 _aVisual perception
_xHistory
_y16th century.
_91228361
650 0 _aVisual perception
_xHistory
_y17th century.
_91228362
650 0 _aEnglish literature
_yEarly modern, 1500-1700
_xHistory and criticism.
650 6 _aLivres et lecture
_zAngleterre
_xHistoire
_y16e siècle.
_9964354
650 6 _aLivres et lecture
_zAngleterre
_xHistoire
_y17e siècle.
_9907357
650 6 _aLivres anciens
_zAngleterre
_y16e siècle.
_9989897
650 6 _aLivres anciens
_zAngleterre
_y17e siècle.
_91228363
650 6 _aLittérature
_xÉdition
_zAngleterre
_y16e siècle.
_91228364
650 6 _aLittérature
_xÉdition
_zAngleterre
_y17e siècle.
_91228365
650 6 _aPerception visuelle
_xHistoire
_y16e siècle.
_91228366
650 6 _aPerception visuelle
_xHistoire
_y17e siècle.
_91228367
650 7 _aLANGUAGE ARTS & DISCIPLINES
_xPublishing.
_2bisacsh
_9865432
650 7 _aLITERARY CRITICISM
_xBooks & Reading.
_2bisacsh
650 7 _aBooks and reading.
_2fast
_0(OCoLC)fst00836454
650 7 _aEarly printed books.
_2fast
_0(OCoLC)fst00900645
_9888874
650 7 _aEnglish literature
_xEarly modern.
_2fast
_0(OCoLC)fst01710960
_999705
650 7 _aLiterature publishing.
_2fast
_0(OCoLC)fst01000111
_9571973
650 7 _aVisual perception.
_2fast
_0(OCoLC)fst01168049
_92813
651 7 _aEngland.
_2fast
_0(OCoLC)fst01219920
_954630
648 7 _a1500-1700
_2fast
_987498
655 0 _aElectronic books.
655 4 _aElectronic books.
655 7 _aCriticism, interpretation, etc.
_2fast
_0(OCoLC)fst01411635
655 7 _aHistory.
_2fast
_0(OCoLC)fst01411628
776 0 8 _iPrint version:
_aReid, Pauline, 1985-
_tReading by design.
_dToronto ; Buffalo ; London : University of Toronto Press, 2019
_z1487500696
_w(OCoLC)1029779178
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2097940
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