000 | 06292cam a2200985 i 4500 | ||
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001 | on1091899632 | ||
003 | OCoLC | ||
005 | 20220712085740.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 190408s2019 onca ob 001 0 eng d | ||
040 |
_aN$T _beng _erda _epn _cN$T _dN$T _dYDX _dJSTOR _dEBLCP _dCELBN _dOCLCF _dOSU _dDEGRU _dUKAHL _dOCLCQ _dSFB _dOCLCQ _dMM9 _dOCLCQ _dOCLCO _dOCLCQ _dOCLCO _dFAU |
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020 |
_a9781487511623 _q(electronic bk.) |
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020 |
_a1487511620 _q(electronic bk.) |
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020 |
_z9781487500696 _q(hardcover) |
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020 |
_z1487500696 _q(hardcover) |
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029 | 1 |
_aAU@ _b000065220634 |
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035 | _a(OCoLC)1091899632 | ||
037 |
_a22573/ctvfjdb64 _bJSTOR |
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043 | _ae-uk-en | ||
050 | 4 |
_aZ1003.5.G7 _bR45 2019 |
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072 | 7 |
_aLAN _x027000 _2bisacsh |
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072 | 7 |
_aLIT _x007000 _2bisacsh |
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072 | 7 |
_aHIS _x037020 _2bisacsh |
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_aLIT _x019000 _2bisacsh |
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082 | 0 | 4 |
_a002.094209/031 _223 |
084 |
_acci1icc _2lacc |
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049 | _aMAIN | ||
100 | 1 |
_aReid, Pauline, _d1985- _eauthor. _91228357 |
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245 | 1 | 0 |
_aReading by design : _bthe visual interfaces of the English Renaissance book / _cPauline Reid. |
264 | 1 |
_aToronto ; _aBuffalo ; _aLondon : _bUniversity of Toronto Press, _c[2019] |
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264 | 4 | _c©2019 | |
300 |
_a1 online resource (xv, 283 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
520 |
_a"Renaissance readers perceived the print book as both a thing and a medium--a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth and seventeenth century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books' design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight."-- _cProvided by publisher |
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588 | 0 | _aPrint version record. | |
505 | 0 | _aCover; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Through a Looking-Glass: Rhetorical Vision and Imagination in William Caxton's Mirrour and Description of the World and Stephen Hawes's Pastime of Pleasure; 2 Memory Machines or Ephemera? Early Modern Annotated Almanacs, Edmund Spenser's Shepheardes Calender, and the Problem of Recollection; 3 Devising the Page: Poly-olbion 's Troubled Boundaries; 4 Image and Illusion in Francis Quarles's Emblems and Pamphlets: Duplication, Duality, Duplicity | |
505 | 8 | _a5 Dead Lambs, False Miracles, and "Taintured Nests": The Crisis of Visual Ecologies in Shakespeare's 2 Henry VIConclusion: Mediated Vision; Notes; Bibliography; Index | |
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
||
650 | 0 |
_aBooks and reading _zEngland _xHistory _y16th century. _9161400 |
|
650 | 0 |
_aBooks and reading _zEngland _xHistory _y17th century. _9161401 |
|
650 | 0 |
_aEarly printed books _zEngland _y16th century. _9989894 |
|
650 | 0 |
_aEarly printed books _zEngland _y17th century. _91228358 |
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650 | 0 |
_aLiterature publishing _zEngland _y16th century. _91228359 |
|
650 | 0 |
_aLiterature publishing _zEngland _y17th century. _91228360 |
|
650 | 0 |
_aVisual perception _xHistory _y16th century. _91228361 |
|
650 | 0 |
_aVisual perception _xHistory _y17th century. _91228362 |
|
650 | 0 |
_aEnglish literature _yEarly modern, 1500-1700 _xHistory and criticism. |
|
650 | 6 |
_aLivres et lecture _zAngleterre _xHistoire _y16e siècle. _9964354 |
|
650 | 6 |
_aLivres et lecture _zAngleterre _xHistoire _y17e siècle. _9907357 |
|
650 | 6 |
_aLivres anciens _zAngleterre _y16e siècle. _9989897 |
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650 | 6 |
_aLivres anciens _zAngleterre _y17e siècle. _91228363 |
|
650 | 6 |
_aLittérature _xÉdition _zAngleterre _y16e siècle. _91228364 |
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650 | 6 |
_aLittérature _xÉdition _zAngleterre _y17e siècle. _91228365 |
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650 | 6 |
_aPerception visuelle _xHistoire _y16e siècle. _91228366 |
|
650 | 6 |
_aPerception visuelle _xHistoire _y17e siècle. _91228367 |
|
650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES _xPublishing. _2bisacsh _9865432 |
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650 | 7 |
_aLITERARY CRITICISM _xBooks & Reading. _2bisacsh |
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650 | 7 |
_aBooks and reading. _2fast _0(OCoLC)fst00836454 |
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650 | 7 |
_aEarly printed books. _2fast _0(OCoLC)fst00900645 _9888874 |
|
650 | 7 |
_aEnglish literature _xEarly modern. _2fast _0(OCoLC)fst01710960 _999705 |
|
650 | 7 |
_aLiterature publishing. _2fast _0(OCoLC)fst01000111 _9571973 |
|
650 | 7 |
_aVisual perception. _2fast _0(OCoLC)fst01168049 _92813 |
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651 | 7 |
_aEngland. _2fast _0(OCoLC)fst01219920 _954630 |
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648 | 7 |
_a1500-1700 _2fast _987498 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
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776 | 0 | 8 |
_iPrint version: _aReid, Pauline, 1985- _tReading by design. _dToronto ; Buffalo ; London : University of Toronto Press, 2019 _z1487500696 _w(OCoLC)1029779178 |
856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2097940 |
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