000 04157cam a2200565 i 4500
001 on1086308540
003 OCoLC
005 20220712084618.0
006 m o d
007 cr cnu---unuuu
008 190219t20182018cauag ob 000 0 eng d
040 _aN$T
_beng
_erda
_epn
_cN$T
_dN$T
_dYDX
_dEBLCP
_dOCLCQ
_dK6U
_dOSU
_dOCLCO
_dOCLCQ
_dOCLCO
_dAAA
_dIAI
020 _a9781635500387
_q(electronic book)
020 _a1635500389
_q(electronic book)
020 _z9781635500370
020 _z1635500370
029 1 _aAU@
_b000065280979
035 _a(OCoLC)1086308540
050 4 _aMT820
_b.S745 2018eb
072 7 _aMUS
_x042000
_2bisacsh
082 0 4 _a783/.043
_223
049 _aMAIN
100 1 _aSpivey, Norman,
_eauthor.
_91224422
245 1 0 _aCross-training in the voice studio :
_ba balancing act /
_cNorman Spivey, Mary Saunders Barton ; illustrations by Mark Uhre.
264 1 _aSan Diego, CA :
_bPlural Publishing, Inc.,
_c[2018]
264 4 _c©2018
300 _a1 online resource (xii, 151 pages) :
_billustrations, music
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references.
505 0 _aHow did we come to this? -- Cross-training vs. crossover -- The balancing act of registration and resonance -- Cross-training through repertoire -- From the ivory tower to the trenches -- It takes a village -- The way forward.
520 _aThis innovative resource for teachers and students of singing offers an inside view of an applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of ""bel canto can belto, "" embracing classical and vernacular styles.
520 _aCross-Training in the Voice Studio: A Balancing Act is an innovative resource for teachers and students of singing in today's evolving professional landscape. Saunders Barton and Spivey offer an inside view of their applied studios and the results of the cross-training process. As vocal performance demands continue to change, singers must adapt in order to stay competitive in the job market. The authors address this challenge and provide a practical technical approach to developing the most flexible and resilient singing voices - the essence of their philosophy of "bel canto can belto," embracing classical and vernacular styles. Key Features In-depth chapter on resonance/registration for voice building Cross-training in the academic vs. the private studio Cross-training with repertoire Coverage of multi-disciplinary training: how acting, speech, movement, and dance support studio effort Video examples of student recordings to enhance concepts within the text Cross Training in the Voice Studio: A Balancing Act is a must-read for anyone in the singing profession seeking insight on cross-training.
588 0 _aOnline resource; title from PDF title page (EBSCO, viewed February 19, 2019).
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
650 0 _aSinging
_xInstruction and study.
650 6 _aChant
_xÉtude et enseignement.
_9928975
650 7 _aMUSIC
_xInstruction & Study
_xVoice.
_2bisacsh
_979895
650 7 _aSinging
_xInstruction and study.
_2fast
_0(OCoLC)fst01119319
655 4 _aElectronic books.
700 1 _aSaunders-Barton, Mary,
_eauthor.
_91224423
700 1 _aUhre, Mark,
_eillustrator.
_91224424
776 0 8 _iPrint version:
_aSpivey, Norman.
_tCross-training in the voice studio.
_dSan Diego, CA : Plural Publishing, Inc., [2018]
_z9781635500370
_w(DLC) 2018005894
_w(OCoLC)1016016100
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2030400
938 _aProQuest Ebook Central
_bEBLB
_nEBL5716559
938 _aEBSCOhost
_bEBSC
_n2030400
938 _aYBP Library Services
_bYANK
_n16055418
994 _a92
_bINOPJ
999 _c2836543
_d2836543