000 04373cam a2200697 i 4500
001 ocn989519986
003 OCoLC
005 20220712054603.0
006 m o d
007 cr |||||||||||
008 170606s2018 nyua ob 001 0 eng
010 _a 2017026765
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dOCLCF
_dN$T
_dBLOOM
_dYDX
_dEBLCP
_dNLE
_dYDX
_dOCLCQ
_dOCLCO
_dOCLCQ
_dOCLCO
020 _a9781501331190
_q(electronic book)
020 _a1501331191
_q(electronic book)
020 _a9781501331183
_q(electronic book)
020 _a1501331183
_q(electronic book)
020 _z9781501331176
_q(hardcover
_qalkaline paper)
035 _a(OCoLC)989519986
042 _apcc
050 1 0 _aN6494.Z47
_bK48 2018
072 7 _aART
_x060000
_2bisacsh
072 7 _aART
_x025000
_2bisacsh
082 0 0 _a700.94/0904
_223
049 _aMAIN
100 1 _aKetner, Joseph D.,
_cII,
_d1955-
_eauthor.
_91162201
245 1 0 _aWitness to phenomenon :
_bGroup ZERO and the development of new media in postwar European art /
_cJoseph D. Ketner II.
264 1 _aNew York :
_bBloomsbury Academic, An imprint of Bloomsbury Publishing Inc,
_c2018.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bn
_2rdamedia
338 _aonline resource
_bnc
_2rdacarrier
490 1 _aInternational texts in critical media aesthetics ;
_vvolume 12
504 _aIncludes bibliographical references and index.
520 _a"Witness of Phenomenon articulates a fresh examination of the German Group Zero--Heinz Mack, Otto Piene, and Günter Uecker--and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe--Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art. N.B. Please ensure that any images originally supplied in colour are supplied in greyscale for print deliverables (print and POD PDFs) and colour for all others (including eBook and XML)"--Bloomsbury Publishing.
588 0 _aOnline resource; title from digital title page (viewed on January 29, 2018).
590 _aeBooks on EBSCOhost
_bEBSCO eBook Subscription Academic Collection - Worldwide
611 2 0 _aNouvelle tendance (Exhibition)
_91130204
611 2 7 _aNouvelle tendance (Exhibition)
_2fast
_0(OCoLC)fst01935108
_91130204
650 0 _aZero (Group of artists)
_91162202
650 0 _aArt, European
_y20th century
_xThemes, motives.
_91162203
650 6 _aGroupe Zéro (Groupe d'artistes)
_91162204
650 1 7 _aMedia studies.
_2bicssc
650 7 _aArt & design styles: from c 1960.
_2bicssc
_9947023
650 7 _aEuropean history.
_2bicssc
_969036
650 7 _aFilm, TV & radio.
_2bicssc
_9916105
650 7 _aART
_xPerformance.
_2bisacsh
_961177
650 7 _aART
_xReference.
_2bisacsh
_961176
650 7 _aArt, European
_xThemes, motives.
_2fast
_0(OCoLC)fst00816264
_961961
650 7 _aZero (Group of artists)
_2fast
_0(OCoLC)fst01184285
_91162202
648 7 _a1900-1999
_2fast
_943774
655 4 _aElectronic books.
776 0 8 _iPrint version:
_aKetner, Joseph D., II, 1955-
_tWitness to phenomenon.
_dNew York : Bloomsbury Academic, An imprint of Bloomsbury Publishing Inc, 2017
_z9781501331176
_w(DLC) 2017026066
830 0 _aInternational texts in critical media aesthetics ;
_vv. 12.
_9867435
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1636127
938 _aBloomsbury Publishing
_bBLOO
_nbpp09261390
938 _aProQuest Ebook Central
_bEBLB
_nEBL5151756
938 _aEBSCOhost
_bEBSC
_n1636127
938 _aYBP Library Services
_bYANK
_n14993901
994 _a92
_bINOPJ
999 _c2817023
_d2817023