000 | 03473cam a2200697Mi 4500 | ||
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001 | ocn976020841 | ||
003 | OCoLC | ||
005 | 20220712051547.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 150617t20152015enka fob 000 0 eng d | ||
040 |
_aAUD _beng _erda _epn _cAUD _dOCLCO _dOCLCF _dOCLCQ _dOCLCA _dJSTOR _dYDX _dN$T _dUKAHL _dK6U _dUX1 _dUKMGB _dOCLCO |
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015 |
_aGBC0F8359 _2bnb |
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019 |
_a1125267184 _a1125974151 _a1175645235 |
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020 | _a1784911305 | ||
020 |
_a9781784911300 _q(electronic bk.) |
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024 | 3 | _a9781784911300 | |
029 | 1 |
_aAU@ _b000066193468 |
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029 | 1 |
_aUKMGB _b019967477 |
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035 |
_a(OCoLC)976020841 _z(OCoLC)1125267184 _z(OCoLC)1125974151 _z(OCoLC)1175645235 |
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037 |
_a22573/ctvr4gcbw _bJSTOR |
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043 | _ae-it--- | ||
050 | 4 | _aNK5500 | |
072 | 7 |
_aSOC _x003000 _2bisacsh |
|
082 | 0 | 4 |
_a736.0937 _223 |
049 | _aMAIN | ||
100 | 1 |
_aMeredith, Hallie, _d1976- _eauthor. _91151219 |
|
245 | 1 | 0 |
_aWord becomes image : _bopenwork vessels as a reflection of late antique transformation / _cHallie G. Meredith. |
264 | 1 |
_aOxford : _bArchaeopress Publishing Ltd, _c[2015] |
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264 | 4 | _c©2015 | |
300 |
_a1 online resource : _billustrations (black and white). |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aArchaeopress archaeology | |
504 | _aIncludes bibliographical references. | ||
520 | 8 | _aThis study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving. | |
521 | _aSpecialized. | ||
588 | 0 | _aOnline resource; title from home page (viewed on March 15, 2016). | |
500 | _aAvailable through Archaeopress Digital Subscription Service. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
||
650 | 0 |
_aCarving (Decorative arts) _zItaly _zRome. _91151220 |
|
651 | 0 |
_aRome (Italy) _xAntiquities. _9269177 |
|
650 | 6 |
_aSculpture (Arts décoratifs) _zItalie _zRome. _91151221 |
|
651 | 6 |
_aRome (Italie) _xAntiquités. _91025826 |
|
650 | 7 |
_aSOCIAL SCIENCE / Archaeology _2bisacsh |
|
650 | 7 |
_aAntiquities. _2fast _0(OCoLC)fst00810745 _992125 |
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650 | 7 |
_aCarving (Decorative arts) _2fast _0(OCoLC)fst00848108 _91151222 |
|
651 | 7 |
_aItaly _zRome. _2fast _0(OCoLC)fst01204500 _9355472 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
710 | 2 |
_aArchaeopress, _epublisher. |
|
776 | 0 | 8 |
_iPrint version: _z9781784911294 |
830 | 0 | _aArchaeopress archaeology. | |
856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295645 |
938 |
_aAskews and Holts Library Services _bASKH _nAH29875079 |
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938 |
_aYBP Library Services _bYANK _n16514557 |
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938 |
_aEBSCOhost _bEBSC _n2295645 |
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994 |
_a92 _bINOPJ |
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999 |
_c2813612 _d2813612 |