000			05725cam a2200901Ii 4500
001			ocn965543334
003			OCoLC
005			20220712044208.0
006			m o d
007			cr mn|||||||||
008			161208t20162016enka ob 001 0 eng d
040			_aN$T _beng _erda _epn _cN$T _dN$T _dOCLCO _dYDX _dEBLCP _dIDEBK _dOCLCA _dOCLCQ _dOCL _dOCLCO _dOCLCA _dUKAHL _dOCLCQ _dK6U _dOCLCQ _dOCLCA _dOSU _dBLOOM _dOCLCA _dOCLCO
019			_a965761092 _a966912344
020			_a9780857728074 _q(electronic bk.)
020			_a0857728075 _q(electronic bk.)
020			_a9780857728944 _q(ebook)
020			_a0857728946 _q(ebook)
020			_z9781784534301 _q(hardback)
020			_z1784534307 _q(hardback)
029	1		_aAU@ _b000060548061
035			_a(OCoLC)965543334 _z(OCoLC)965761092 _z(OCoLC)966912344
050		4	_aN6494.M64 _bT47 2016eb
072		7	_aART _x015000 _2bisacsh
082	0	4	_a709.04 _223
049			_aMAIN
100	1		_aTerranova, Charissa N., _eauthor. _9741966
245	1	0	_aArt as organism : _bbiology and the evolution of the digital image / _cCharissa N. Terranova
264		1	_aLondon : _bI.B. Tauris, _c2016
264		4	_c©2016
300			_a1 online resource (xix, 315 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aInternational library of modern and contemporary art ; _v32
520	8		_aWhat if modernism had been characterised by evolving, interconnected and multi-sensory images rather than by the monolithic objects often described by its artists and theorists? In this groundbreaking book, Charissa Terranova unearths a forgotten narrative of modernism, which charts the influence that biology, General Systems Theory and cybernetics had on art in the twentieth century. From kinetic and interactive art to early computer art and installations spanning an entire city, she shows that the digital image was a rich and expansive artistic medium of modernism. This book links the emergence of the digital image to the dispersion of biocentric aesthetic philosophies developed by Bauhaus pedagogue Laszlo Moholy-Nagy, from 1920s Berlin to the Massachusetts Institute of Technology in the 1970s. It uncovers seminal but overlooked references to biology, the organism, feedback loops, emotions and the Gestalt, along with an intricate genealogy of related thinkers across disciplines. Terranova reinterprets major art movements such as the Bauhaus, Op Art and Experiments in Art and Technology (E.A.T.), by referencing contemporary insights from architects, embryologists, electrical engineers and computer scientists, among others. This book reveals the complex connections between visual culture, science and technology that comprise the deep history of twentieth-century art
504			_aIncludes bibliographical references (pages 256-308) and index
505	0		_aPreface: modernism after the affective turn -- Introduction: the haptic unconscious: László Moholy-Nagy's organismic aesthetics -- Bauhaus biology: the beginnings of biofunctionalism -- György Kepes and the light image as bio-image: pop art-and-science, integration, and distribution -- The distributed image of the city: the collaboration between György Kepes and Kevin Lynch -- Wet perception: op art and new tendencies, between the Gestalt and ecological psychology -- The digital image in art: the generative turn, computational and biological -- Epilogue: political paths: past and future
588			_aDescription based on print version record
590			_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide
600	1	0	_aMoholy-Nagy, László, _d1895-1946. _91051874
600	1	7	_aMoholy-Nagy, László, _d1895-1946 _2fast _0(OCoLC)fst00045897 _91051874
600	1	7	_aKepes, Gyorgy _d1906-2001 _2gnd _91138888
600	1	7	_aLynch, Kevin _d1918-1984 _2gnd _91138889
600	1	7	_aMoholy-Nagy, László _d1895-1946 _2gnd _91051874
650		0	_aModernism (Art) _947140
650		0	_aArt, Modern _y20th century. _953840
650		0	_aArt and biology. _9698279
650		6	_aModernisme (Art)
650		6	_aArt _y20e siècle.
650		6	_aArt et biologie. _91138890
650		7	_aART _xHistory _xGeneral. _2bisacsh _980155
650		7	_aArt and biology. _2fast _0(OCoLC)fst01749112 _9698279
650		7	_aArt, Modern. _2fast _0(OCoLC)fst00816615 _987870
650		7	_aModernism (Art) _2fast _0(OCoLC)fst01024442 _947140
650		7	_aÄsthetik _2gnd _989252
650		7	_aBiologie _2gnd _985124
650		7	_aDas Organische _2gnd _91138891
650		7	_aRezeption _2gnd _960281
650		7	_aComputerkunst _2gnd _9968017
650		7	_aKunst _2gnd _9849332
650		7	_aKybernetik _2gnd _91138892
650		7	_aModerne _2gnd _989231
650		7	_aSystemtheorie _2gnd _9972223
648		7	_a1900-1999 _2fast _943774
655		0	_aElectronic books.
776	0	8	_iPrint version: _aTerranova, Charissa N. _tArt as organism. _dLondon : I.B. Tauris, 2016 _z9781784534301 _z1784534307 _w(OCoLC)949770738
830		0	_aInternational library of modern and contemporary art ; _v32.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1433066
938			_aAskews and Holts Library Services _bASKH _nAH32249025
938			_aBloomsbury Publishing _bBLOO _n9781350985414
938			_aYBP Library Services _bYANK _n301337792
938			_aAskews and Holts Library Services _bASKH _nAH32217481
938			_aProQuest Ebook Central _bEBLB _nEBL4760958
938			_aEBSCOhost _bEBSC _n1433066
938			_aProQuest MyiLibrary Digital eBook Collection _bIDEB _ncis37139486
938			_aYBP Library Services _bYANK _n13295305
994			_a92 _bINOPJ
999			_c2809843 _d2809843