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| 043 | _an-us--- | ||
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_aNK4008 _b.S67 2016 |
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_a738.092/2 _aB _223 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aSorkin, Jenni, _eauthor. _91120809 |
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| 245 | 1 | 0 |
_aLive form : _bwomen, ceramics, and community / _cJenni Sorkin. |
| 264 | 1 |
_aChicago ; _aLondon : _bThe University of Chicago Press, _c2016. |
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| 264 | 4 | _c©2016 | |
| 300 |
_a1 online resource (x, 290 pages) : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 520 | _aCeramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. Live Form shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M.C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. Far from being an isolated field, ceramics offered a sense of community and social engagement, which, Sorkin argues, crucially set the stage for later participatory forms of art and feminist collectivism. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aIntroduction: craft as collective practice -- Ceramics: the medium and its discontents -- Forms-of-life: Marguerite Wildenhain's Pond Farm -- Zen veterans and the vernacular: the Black Mountain pottery seminar -- M.C. Richards's vanishing point -- Women kitchen potters: Susan Peterson, "the Julia Child of ceramics" -- Epilogue: live form disseminated. | |
| 588 | 0 | _aPrint version record. | |
| 590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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| 600 | 1 | 7 |
_aRichards, Mary Caroline _d1916-1999 _2gnd _91120810 |
| 600 | 1 | 7 |
_aWildenhain, Marguerite _d1896-1985 _2gnd _91120811 |
| 650 | 0 |
_aWomen potters _zUnited States. _9327847 |
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| 650 | 0 |
_aCeramics _zUnited States. _91120812 |
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| 650 | 6 |
_aCéramique industrielle _zÉtats-Unis. _91120813 |
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| 650 | 7 |
_aART _xCeramics. _2bisacsh _9850095 |
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| 650 | 7 |
_aCRAFTS & HOBBIES _xPottery & Ceramics. _2bisacsh _9900957 |
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| 650 | 7 |
_aCeramics. _2fast _0(OCoLC)fst00851090 _962816 |
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| 650 | 7 |
_aWomen potters. _2fast _0(OCoLC)fst01178387 _9917562 |
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| 651 | 7 |
_aUnited States. _2fast _0(OCoLC)fst01204155 |
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| 650 | 7 |
_aKeramikerin _2gnd _91120814 |
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| 650 | 7 |
_aKunsterziehung _2gnd _9945560 |
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| 650 | 7 |
_aKunsttherapie _2gnd |
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| 650 | 7 |
_aKeramik _2gnd _9871135 |
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| 650 | 7 |
_aSoziologie _2gnd _9526110 |
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_aTöpferin _2gnd _91120815 |
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_aUSA _2gnd |
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_aEtats-Unis. _2rero _9993186 |
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| 655 | 4 | _aElectronic books. | |
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_iPrint version: _aSorkin, Jenni. _tLive form. _dChicago ; London : The University of Chicago Press, [2016] _z9780226303116 _w(DLC) 2015040757 _w(OCoLC)920017455 |
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