000			05752cam a2200625 i 4500
001			ocn953459133
003			OCoLC
005			20220712034444.0
006			m o d
007			cr cnu---unuuu
008			160712s2012 nyuag ob 001 0 eng d
040			_aN$T _beng _erda _epn _cN$T _dYDXCP _dEBLCP _dAGLDB _dICA _dXFH _dOCLCO _dOCLCQ _dD6H _dOCLCQ _dVTS _dOCLCA _dSTF _dOCLCQ _dAJS _dUKAHL _dOCLCQ _dOCLCO
019			_a985221148 _a985379470 _a994587901
020			_a9780199720446 _q(electronic bk.)
020			_a0199720444 _q(electronic bk.)
020			_z9780195181845
020			_z0195181840
020			_z9780199781638
020			_z019978163X
029	1		_aDEBSZ _b489857655
035			_a(OCoLC)953459133 _z(OCoLC)985221148 _z(OCoLC)985379470 _z(OCoLC)994587901
050		4	_aMT232 _b.V47 2012eb
072		7	_aMUS _x023030 _2bisacsh
072		7	_aMUS _x037080 _2bisacsh
082	0	4	_a786.2/19368 _223
049			_aMAIN
100	1		_aVerbalis, Jon. _91118001
245	1	0	_aNatural fingering : _ba topographical approach to pianism / _cJon Verbalis.
264		1	_aNew York : _bOxford University Press, _c©2012.
300			_a1 online resource (xv, 256 pages) : _billustrations, music
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aPart I: Fundamental Forms as Foundation. The Major Scales ; The Major Connection and Minor Scales ; Chords, Arpeggios and Extended Harmonies ; Other Scale Fingerings; Chromatic-Diatonic Compounds ; Core Topographies and Rational Solutions. -- PART II: The Double Note Challenge. Double Thirds: An Overview in an Evolutionary Context ; Toward a More Rational Fingering for Double Notes ; Double Sixths and Other Double Notes. -- PART III: Topography, Strategy and Symmetry. Fundamental Strategies ; Fundamental Principles for a Natural Fingering ; Topography, Symmetry and Lines of Action. -- PART IV: The Topographical Advantage: Explorations in Keyboard Space. Topography and Pedagogy: From the Beginning ; Topography and Tonality: Early Repertoire ; Intimations of Symmetry: Chopin's Pattern as Fundamental Tool ; Retooling and Repertoire.
520			_a"Though incomplete at the time of his death in 1849, Chopin's Projet de méthode was nonetheless revolutionary in many respects. But with his Fundamental Pattern, Chopin announced the recognition, if not discovery, of the keyboard's extraordinary topographical symmetry and postulated a core formulation for a new "pianistic" pedagogy. More than a hundred years later the now-legendary Heinrich Neuhaus would passionately plead for this pedagogy and a pianism rooted in it. Natural Fingering explores this remarkable symmetry, significantly as it sheds light on fingering matters for the now vast catalogue of repertoire. It also examines the revolutionary impact of equal temperament on compositional key choice as well as the liberating influence of Charles Eschmann-Dumur's unique discoveries regarding symmetrical inversion. Author Jon Verbalis develops principles for a topographically-based fingering strategy that reflect a surprising compatibility of this fixed symmetrical organization with the most efficient biokinetic capabilities of the pianist's playing mechanism. He addresses previously neglected or overlooked technical aspects of pianism as they relate to movement in keyboard space generally as well as fingering specifically. Symmetrical fingerings for all the fundamental forms are presented in innovative, instructive format. The reader will also find an unusually extensive, in-depth discussion of double note challenges. Answering Neuhaus's call for the reappraisal of a certain pedagogical status quo, several chapters are devoted to the relevant implications of Chopin's Fundamental Pattern. The author also advances guidelines for a progressive implementation of natural fingering principles from the very start, as well as "retooling" for teachers and students alike. Of special note are the cross-hand major and minor scales for the earliest stages, in which the necessity of thumb under/hand over pivoting actions is eliminated. Natural Fingering is the first comprehensive discussion of fingering solutions for pianists since Hummel's monumental treatise of 1828. The book is complemented by a companion website, which serves as a supplement to the printed edition. The website features copious excerpts from the extant repertoire, extended discussions on relevant topics, and a comprehensive manual of the fundamental forms with symmetrically adjusted fingerings."--Publisher's website.
588	0		_aPrint version record.
546			_aEnglish.
590			_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide
650		0	_aPiano _xFingering. _91118002
650		6	_aPiano _xDoigté. _91118003
650		7	_aMUSIC _xMusical Instruments _xPiano & Keyboard. _2bisacsh _9865206
650		7	_aMUSIC _xPrinted Music _xPercussion. _2bisacsh _9865207
650		7	_aPiano _xFingering. _2fast _0(OCoLC)fst01063363 _91118002
650		7	_aKlavierspiel _2gnd _91010020
650		7	_aFingersatz _2gnd _91118004
655		4	_aElectronic books.
776	0	8	_iPrint version: _aVerbalis, Jon. _tNatural fingering. _dNew York : Oxford University Press, ©2012 _z9780195181845 _w(DLC) 2011031324 _w(OCoLC)743214692
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1069223
938			_aAskews and Holts Library Services _bASKH _nAH38693960
938			_aProQuest Ebook Central _bEBLB _nEBL4706076
938			_aEBSCOhost _bEBSC _n1069223
938			_aYBP Library Services _bYANK _n13069841
994			_a92 _bINOPJ
999			_c2803281 _d2803281