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001 | ocn909854656 | ||
003 | OCoLC | ||
005 | 20220712012502.0 | ||
006 | m o d | ||
007 | cr |n||||||||| | ||
008 | 150522s2015 xx ob 000 0 eng d | ||
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020 | _a1443875392 | ||
020 | _a9781443875394 | ||
020 | _z9781443875394 | ||
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049 | _aMAIN | ||
100 | 1 |
_aMcNamara, Simon. _9746594 |
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245 | 1 | 0 | _aRembrandt's Passion Series. |
260 |
_bCambridge Scholars Publishing, _c2015. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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588 | 0 | _aPrint version record. | |
504 | _aIncludes bibliographical references. | ||
520 | _aRembrandt's Passion Series is the name given to five paintings of similar size and format executed over a six year time-frame, 1633-39. The works were commissioned by Frederick Hendrick, Prince of Orange and Stadtholder of the United Provinces, for his gallery at The Hague. Although each of the paintings depicts a traditional scene from the Passion of Christ, they do not form anything like a complete Passion Cycle. Seven years later, Hendrick ordered a further two works of the same size and format of subjects from the Nativity of Christ. Six of the seven paintings now hang in the Alte Pinakothek, Munich. As the works were executed between Rembrandt's well-documented early Leiden period and his rapid rise to prominence as a portraitist in Amsterdam, the works have not attracted the scholarly attention they might, although the commission was undoubtedly the most prestigious of the young Rembrandt's career. Rembrandt's Passion Series is the first monograph to focus solely on this important group of paintings by the most famous artist of the Dutch Golden Age. In it, Simon McNamara traces the history of the commission by way of extant documentation, places the works in a seventeenth-century Dutch religious milieu, and shows how the series is both reflective of contemporary theological exegesis and embedded in theoretical artistic debates of the age. The book also highlights the extraordinary nature of the self-images seen in three of the paintings and discusses the legacy of the series in later graphic works by Rembrandt and in paintings by his pupils. In doing so, Rembrandt's Passion Series presents a series of unifying factors, both stylistically and thematically, for the works that allows the Passion Series to be properly, and finally, called a "series." | ||
505 | 0 | _aThe patronage of the Passion series -- Tradition, theology and the Passion series -- The documentation for the Passion series -- The poetry of meditation and the Passion series -- The self-images in the Passion series -- The legacy of the Passion series. | |
546 | _aEnglish. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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600 | 0 | 0 |
_aRembrandt Harmenszoon van Rijn, _d1606-1669 _xCriticism and interpretation. |
600 | 0 | 7 |
_aRembrandt Harmenszoon van Rijn, _d1606-1669. _2fast _0(OCoLC)fst00047043 _9204515 |
650 | 7 |
_aArt & design styles: Baroque. _2bicssc _91063756 |
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650 | 7 |
_aPainting & paintings. _2bicssc _91026951 |
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650 | 7 |
_aReligious subjects depicted in art. _2bicssc _9942567 |
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650 | 7 |
_aART _xHistory _xGeneral. _2bisacsh _980155 |
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655 | 0 | _aElectronic books. | |
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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776 | 0 | 8 |
_iPrint version: _aMcNamara, Simon. _tRembrandt's passion series. _dNewcastle upon Tyne, England : Cambridge Scholars Publishing, ©2015 _hviii, 219 pages _z9781443875394 |
856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=993508 |
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