000			04163cam a2200721Ia 4500
001			ocn852158441
003			OCoLC
005			20220711203208.0
006			m o d
007			cr cnu---unuuu
008			130708s2013 nyu ob 001 0 eng d
040			_aN$T _beng _epn _cN$T _dYDXCP _dCUS _dSTF _dDEBBG _dOCLCF _dOCLCO _dEBLCP _dOCLCQ _dOCLCO _dZ5A _dOCLCQ _dE7B _dREC _dWYU _dYOU _dIHT _dOCLCQ _dK6U _dTEFOD _dOCLCO _dSFB _dOCLCO
019			_a854569490 _a1065913848 _a1298424251
020			_a9780199939923 _q(electronic bk.)
020			_a0199939926 _q(electronic bk.)
020			_a9780199331024 _q(electronic bk.)
020			_a0199331022 _q(electronic bk.)
020			_z9780199939916
020			_z0199939918
020			_a9780199354467 _q(electronic bk.)
020			_a0199354464 _q(electronic bk.)
029	1		_aAU@ _b000051892434
029	1		_aAU@ _b000052555200
029	1		_aDEBBG _bBV043057256
029	1		_aDEBSZ _b446449814
029	1		_aNLGGC _b363259120
029	1		_aNZ1 _b16238639
035			_a(OCoLC)852158441 _z(OCoLC)854569490 _z(OCoLC)1065913848 _z(OCoLC)1298424251
037			_aD4E3395A-D26E-430E-BB98-CD0BB2DD32E4 _bOverDrive, Inc. _nhttp://www.overdrive.com
050		4	_aML3470 _b.F68 2013eb
072		7	_aMUS _x029000 _2bisacsh
082	0	4	_a781.64 _223
049			_aMAIN
100	1		_aFord, Phil, _d1969- _eauthor. _9955300
245	1	0	_aDig : _bsound and music in hip culture / _cPhil Ford.
260			_aNew York : _bOxford University Press, _c2013.
300			_a1 online resource (ix, 306 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
504			_aIncludes bibliographical references and index.
588	0		_aPrint version record.
520	8		_a'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture.
505	0		_aDig (an introduction) -- Koan (what is hip?) -- What is hip? -- The Suzuki rhythm boys -- The devil's staircase -- The black spot -- Somewhere/nowhere -- Precambrian -- Game ideology -- Smart goes crazy -- Irony -- Miles and Monk -- Somewhere/nowhere -- Sound become holy (the Beats) -- Sound become holy -- The sadness of it all -- Digging what they dig -- Astounding and prophetic -- Stenciled off the real -- Hip sensibility in an age of mass counterculture -- Right on, Mr. Horowitz -- The square -- Asymmetrical consciousness -- Elitism -- Mass culture critique -- The decline of midcentury modernism and the birth of postmodernism -- Sound museum -- Mailer's sound -- "The sound is the thing, man" -- Abstraction -- Whiteness -- Mailer's sound -- Enantiodromia -- "Let's say that we're new, every minute" (John Benson Brooks) -- Off-minor -- Music of the isms -- Djology -- Cipher -- Magical hermeneutics -- Technologies of experience -- Practice.
590			_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide
650		0	_aPopular music _xHistory and criticism. _9107599
650		0	_aMusic _xSocial aspects.
650		6	_aMusique populaire _xHistoire et critique. _9881509
650		6	_aMusique _xAspect social. _9881050
650		7	_aMUSIC _xGenres & Styles _xPop Vocal. _2bisacsh _9868969
650		7	_aMusic _xSocial aspects. _2fast _0(OCoLC)fst01030444
650		7	_aPopular music. _2fast _0(OCoLC)fst01071422 _931405
655		4	_aElectronic books.
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
776	0	8	_iPrint version: _aFord, Phil, 1969- _tDig. _dNew York : Oxford University Press, [2013] _z9780199939916 _w(DLC) 2013005947 _w(OCoLC)819136188
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=602892
938			_aProQuest Ebook Central _bEBLB _nEBL3055417
938			_aebrary _bEBRY _nebr10724501
938			_aEBSCOhost _bEBSC _n602892
938			_aYBP Library Services _bYANK _n10827886
938			_aYBP Library Services _bYANK _n10823871
994			_a92 _bINOPJ
999			_c2755498 _d2755498