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001 | ocn808381517 | ||
003 | OCoLC | ||
005 | 20220711180813.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
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_a791.43023/30922 _222 |
049 | _aMAIN | ||
100 | 1 |
_aDixon, Wheeler W., _d1950- _9891249 |
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245 | 1 | 0 |
_aFilm talk : _bdirectors at work / _cWheeler Winston Dixon. |
260 |
_aNew Brunswick, N.J. : _bRutgers University Press, _c©2007. |
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300 |
_a1 online resource (xiii, 217 pages) : _billustrations |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 | _atext file | ||
347 | _bPDF | ||
500 | _aIncludes index. | ||
505 | 0 | _aThe old masters -- Ronald Neame (The horse's mouth, Tunes of glory, I could go on singing, The Poseidon adventure) -- Val Guest (The Quatermass xperiment, Expresso bongo, Casino Royale) -- Budd Boetticher (Buchanan rides alone, The killer is loose, Arruza) -- Albert Maysles (Gimme shelter, Salesman, What's happening!, The Beatles in the U.S.A.) -- Cult visions -- Jack Hill (The big doll house, Coffy, Foxy Brown, Switchblade sisters) -- Monte Hellman (The shooting, Two-lane blacktop) -- Robert Downey, Sr. (Putney swope, Greaser's palace) -- New voices -- Takashi Shimizu (The grudge, The grudge 2) -- Jamie Babbit (But I'm a cheerleader) -- Bennett Miller (Capote) -- Kasi Lemmons (Eve's Bayou). | |
588 | 0 | _aPrint version record. | |
506 |
_3Use copy _fRestrictions unspecified _2star _5MiAaHDL |
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533 |
_aElectronic reproduction. _b[Place of publication not identified] : _cHathiTrust Digital Library, _d2010. _5MiAaHDL |
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538 |
_aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. _uhttp://purl.oclc.org/DLF/benchrepro0212 _5MiAaHDL |
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583 | 1 |
_adigitized _c2010 _hHathiTrust Digital Library _lcommitted to preserve _2pda _5MiAaHDL |
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546 | _aEnglish. | ||
520 | _aWhat 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century? The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry. A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit. The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them. | ||
590 |
_aeBooks on EBSCOhost _bEBSCO eBook Subscription Academic Collection - Worldwide |
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650 | 0 |
_aMotion pictures _xProduction and direction. |
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650 | 0 |
_aMotion picture producers and directors _vInterviews. _9249428 |
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650 | 6 |
_aCinéma _xProduction et réalisation. _9868976 |
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650 | 6 |
_aProducteurs et réalisateurs de cinéma _vEntretiens. _9891250 |
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650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xDirection & Production. _2bisacsh _9850373 |
|
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xHistory & Criticism. _2bisacsh _986653 |
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650 | 7 |
_aMotion picture producers and directors. _2fast _0(OCoLC)fst01027225 _9203675 |
|
650 | 7 |
_aMotion pictures _xProduction and direction. _2fast _0(OCoLC)fst01027357 |
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650 | 7 |
_aFilmregisseur _2gnd _9891251 |
|
655 | 4 | _aElectronic books. | |
655 | 7 |
_aInterviews. _2fast _0(OCoLC)fst01423832 |
|
776 | 0 | 8 |
_iPrint version: _aDixon, Wheeler W., 1950- _tFilm talk. _dNew Brunswick, N.J. : Rutgers University Press, ©2007 _z9780813540771 _w(DLC) 2006032342 _w(OCoLC)71812805 |
856 | 4 | 0 | _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=472979 |
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