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The punk reader : research transmissions from the local and the global / [edited by] Russ Bestley, Mike Dines, Alastair 'Gords' Gordon, Paula Guerra.

Contributor(s): Material type: TextTextSeries: Global punk seriesPublisher: Bristol, UK ; Chicago, IL, USA : Intellect, 2019Copyright date: ©2019Description: 1 online resource (324 pages) : illustrations, mapsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781789381306
  • 1789381304
Subject(s): Genre/Form: Additional physical formats: Print version:: Punk reader.DDC classification:
  • 306/.1 23
LOC classification:
  • HM646 .P899 2019eb
Online resources:
Contents:
Introduction: the punk narrative turned upside down: research transmissions from the local to the global / Russ Bestley, Mike Dines, Alastair 'Gords' Gordon, Paula Guerra -- Sell-out bastards! Case-study accounts of the dilemmas of authenticity in UK/US punk 1984-2001 and beyond / Alastair 'Gords' Gordon -- 'Nothing like the rest of Holland': the Groningen punk scene / Kirsty Lohman -- The global and local in music scenes: the multiple anchoring of Portuguese punk / Augusto Santos Silva & Paula Guerra -- 'Crack in the system': a bottom-up analysis of the anarcho-punk movement in Mexico / Alice Poma & Tommaso Gravante -- One struggle, one fight, all day, all night: punk cartographies in the subway of São Paulo / Paula Guerra & Debora Gomes -- Golfos, punkis, alternativos, indignados: subterranean tradition of youth (Spain, 1960-2015) / Carles Feixa & Paula Guerra -- Narratives of tradition within a subsculture: a case study of nomadic punks / Edward Avery-Natale -- Powerviolence, or, how to play punk with a 'hammer' / Benjamin van Loon -- Making do in "weird" Vancouver: DIY, underground venues, and documenting a scene / Brian Fauteux -- 'We just make music': deconstructing notions of authenticity in the Iranian DIY underground / Theresa Steward -- 'DIY or die': do it yourself production and the struggle for an autonomous community in the Bandung hardcore punk scene / Sean Martin-Iverson -- A profane existence? DIY culture, sonic extremism and punk identity in 21st century Malaysia / Marco Ferrarese -- The punk subculture in China / Jian Xiao.
Summary: Forty years after its inception, punk has gone global. The founding scenes in the United Kingdom and United States now have counterparts all around the world. Most, if not all, cities on the planet now have some variation of punk existing in their respective undergrounds, and long-standing scenes can be found in China, Japan, India, Africa, Southeast Asia, and the Middle East. Each scene, rather than adopting traditional interpretations of the punk filter, reflects national, regional, and local identities. The first offering in Intellect's new Global Punk series, The Punk Reader: Research Transmissions from the Local and the Global is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia, and Iran, The Punk Reader is a long-overdue addition to punk studies and a valuable resource for readers seeking to know more about the global influence of punk beyond the 1970s.
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"First published in Portugal in 2017 by Universidade de Porto"--Title page verso

Series statement from back cover.

Forty years after its inception, punk has gone global. The founding scenes in the United Kingdom and United States now have counterparts all around the world. Most, if not all, cities on the planet now have some variation of punk existing in their respective undergrounds, and long-standing scenes can be found in China, Japan, India, Africa, Southeast Asia, and the Middle East. Each scene, rather than adopting traditional interpretations of the punk filter, reflects national, regional, and local identities. The first offering in Intellect's new Global Punk series, The Punk Reader: Research Transmissions from the Local and the Global is the first edited volume to explore and critically interrogate punk culture in relation to contemporary, radicalized globalization. Documenting disparate international punk scenes, including Mexico, China, Malaysia, and Iran, The Punk Reader is a long-overdue addition to punk studies and a valuable resource for readers seeking to know more about the global influence of punk beyond the 1970s.

Includes bibliographical references, discographies, filmography, and index.

Introduction: the punk narrative turned upside down: research transmissions from the local to the global / Russ Bestley, Mike Dines, Alastair 'Gords' Gordon, Paula Guerra -- Sell-out bastards! Case-study accounts of the dilemmas of authenticity in UK/US punk 1984-2001 and beyond / Alastair 'Gords' Gordon -- 'Nothing like the rest of Holland': the Groningen punk scene / Kirsty Lohman -- The global and local in music scenes: the multiple anchoring of Portuguese punk / Augusto Santos Silva & Paula Guerra -- 'Crack in the system': a bottom-up analysis of the anarcho-punk movement in Mexico / Alice Poma & Tommaso Gravante -- One struggle, one fight, all day, all night: punk cartographies in the subway of São Paulo / Paula Guerra & Debora Gomes -- Golfos, punkis, alternativos, indignados: subterranean tradition of youth (Spain, 1960-2015) / Carles Feixa & Paula Guerra -- Narratives of tradition within a subsculture: a case study of nomadic punks / Edward Avery-Natale -- Powerviolence, or, how to play punk with a 'hammer' / Benjamin van Loon -- Making do in "weird" Vancouver: DIY, underground venues, and documenting a scene / Brian Fauteux -- 'We just make music': deconstructing notions of authenticity in the Iranian DIY underground / Theresa Steward -- 'DIY or die': do it yourself production and the struggle for an autonomous community in the Bandung hardcore punk scene / Sean Martin-Iverson -- A profane existence? DIY culture, sonic extremism and punk identity in 21st century Malaysia / Marco Ferrarese -- The punk subculture in China / Jian Xiao.

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