Le premier jour de bonheur / Daniel-Francois-Esprit Auber : edited and introduced by Robert Ignatius Letellier.

By:

Auber, D. F. E. (Daniel François Esprit), 1782-1871

Contributor(s):

Material type: Text

TextPublication details: Newcastle upon Tyne : Cambridge Scholars Pub., 2011.Description: 1 online resource (x, 235 pages :) : musicContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443839273
1443839272
1299647146
9781299647145

Uniform titles:

Premier jour de bonheur. Vocal score

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Premier jour de bonheur.DDC classification:

782.081

LOC classification:

M1503 .P74 2011eb

Online resources:

Click here to access online

Contents:

TABLE OF CONTENTS; INTRODUCTION; LE PREMIER JOUR DE BONHEUR; ACT I; ACT II; ACT III.

Summary: Daniel-François-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically gifted, he initially chose commerce as a career, but soon realized that his future lay in music. He studied under Cherubini, and it was not long before his opéra-comique La Bergère Châteleine (1820), written at the age of 38, established him as an operatic composer. Perhaps the greatest turning point ...

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Comic opera in 3 acts.

Libretto by Adolphe-Philippe Dennery and Eugene Cormon.

Piano reduction by Auguste Bazille.

Includes introduction in English.

Reproduces the vocal score published in Paris by Leon Escudier [1868].

Words in French.

TABLE OF CONTENTS; INTRODUCTION; LE PREMIER JOUR DE BONHEUR; ACT I; ACT II; ACT III.

Daniel-François-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically gifted, he initially chose commerce as a career, but soon realized that his future lay in music. He studied under Cherubini, and it was not long before his opéra-comique La Bergère Châteleine (1820), written at the age of 38, established him as an operatic composer. Perhaps the greatest turning point ...

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