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Photocinema : the creative edges of photography and film / edited by Neil Campbell and Alfredo Cramerotti ; with Huw Davies and Jane Fletcher.

Contributor(s): Material type: TextTextSeries: Critical photography seriesPublication details: Bristol, U.K. : Intellect, 2013.Description: 1 online resource (158 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1299385958
  • 9781299385955
  • 9781783200566
  • 1783200561
  • 1841505625
  • 9781841505626
Subject(s): Genre/Form: Additional physical formats: Print version:: Photocinema.; Print version:: Photocinema.DDC classification:
  • 791.4368 23
LOC classification:
  • PN1995 .P46 2013eb
Online resources:
Contents:
FrontCover; Half-Title; Title; Contents; Foreword; Introduction: The Cinematic Promenade; 1 In the Light of the Lumières: Art at the Beginnings and Ends of Cinema; 2 "Being of two minds": The Dialogical Pictures of Robert Frank and Wim Wenders; 3 Eric Baudelaire's Sugar Water, the Deleuzean Event and the Dispersion of Spectatorial Labour; 4 Interactive Cinema and the Uncinematic; 5 Tesseract; 6 Brief Encounters; Stillness and Time: Hannah Starkey's Photographs; Once Upon a Time in the West (2008-2009); Making Connections; 7 Portfolio Section; Afterword; Authors' Biographies; Acknowledgements.
Summary: Taking as its starting point the notion of photocinema-or the interplay of the still and moving image-the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references.

Print version record.

FrontCover; Half-Title; Title; Contents; Foreword; Introduction: The Cinematic Promenade; 1 In the Light of the Lumières: Art at the Beginnings and Ends of Cinema; 2 "Being of two minds": The Dialogical Pictures of Robert Frank and Wim Wenders; 3 Eric Baudelaire's Sugar Water, the Deleuzean Event and the Dispersion of Spectatorial Labour; 4 Interactive Cinema and the Uncinematic; 5 Tesseract; 6 Brief Encounters; Stillness and Time: Hannah Starkey's Photographs; Once Upon a Time in the West (2008-2009); Making Connections; 7 Portfolio Section; Afterword; Authors' Biographies; Acknowledgements.

Taking as its starting point the notion of photocinema-or the interplay of the still and moving image-the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways.

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