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Loading the silence : Australian sound art in the post-digital age / Linda Ioanna Kouvaras.

By: Material type: TextTextPublication details: Burlington, Vt. : Ashgate, ©2013.Description: 1 online resource (ix, 277 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781409441571
  • 1409441571
  • 1317103831
  • 9781317103837
  • 1299056148
  • 9781299056145
Other title:
  • Australian sound art in the post-digital age
Subject(s): Genre/Form: Additional physical formats: Print version:: Loading the Silence : Australian Sound Art in the Post-Digital Age.DDC classification:
  • 780.994/0904 23
LOC classification:
  • ML360.5 .K68 2013eb
Online resources:
Contents:
pt. 1. Background -- pt. 2. Dawning -- pt. 3. Postmodern -- pt. 4. Altermodern -- pt. 5. Conclusion.
Summary: Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

pt. 1. Background -- pt. 2. Dawning -- pt. 3. Postmodern -- pt. 4. Altermodern -- pt. 5. Conclusion.

Linda Kouvaras explores the ways in which selected sound art works demonstrate creatively how sound is embedded within local, national, gendered and historical environments. Taking Australian music as its primary - but not sole - focus, the book not only covers discussions of technological advancement, but also engages with aesthetic standpoints, through interviews, theoretical developments, analysis and cultural milieux for a contemporary Australian, and wider postmodern, context. Developing new methodologies for synergies between musicology and cultural studies, the book uncovers a new post-

English.

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