The spectral body : aspects of the cinematic oeuvre of István Szabó / by Zoltán Dragon.

By:

Dragon, Zoltán

Material type: Text

TextPublication details: Newcastle, UK : Cambridge Scholars Press, 2006.Description: 1 online resource (vi, 100 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443811446
1443811440
1282334042
9781282334045
9786612334047
6612334045

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Spectral body.DDC classification:

791.4302/8092 22

LOC classification:

PN1998.3.S97 D73 2006eb

Online resources:

Click here to access online

Contents:

TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CONCLUSION; BIBLIOGRAPHY; INDEX

Summary: The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct-and often incongruous-lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 93-96) and index.

Print version record.

The Spectral Body: Aspects of the Cinematic Oeuvre of István Szabó analyses some of the films made by Academy Award winner Hungarian filmmaker István Szabó to establish an interpretative matrix disclosing the root of haunting effects in the visual and the narrative levels of the diegeses. By combining two distinct-and often incongruous-lines of psychoanalytic thought (by Nicolas Abraham and Jacques Lacan), Zoltán Dragon argues that these films are fuelled by the work of a phantom on all levels, hiding the secrets of the family history of the characters and producing uncanny visual scenarios to.

English.

TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CONCLUSION; BIBLIOGRAPHY; INDEX

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