Proust and the visual / edited by Nathalie Aubert.

Print version record.

This collection of essays is aiming at capturing the rich and complex category of the "visual" both in Proust's novel itself (in its philosophical and stylistic implications) and beyond it, in other visual practices (cinema, painting, dance) inspired by the novel.

Includes bibliographical references and index.

Series editors' preface; Note on abbreviations and quotations; Figures; Contributors; Introduction; The secret blackness of milk': Proust, Merleau-Ponty, Literature; 'Un assemblage composite': Perception and Grafting inDu côté de chez Swann; Proust and the Analysis of Gesture; Disentangling Modernism: A Common Drive Towards Aesthetics; Proust and Handwriting; Images Come Alive (or how to make images with words); Proust's Picture Plane; The Art Market in Proust: A Comparative Study of the Treatment of Rembrandt and the Salon Painter Gleyre in Proust.

'Avid Eyes and Ears: Photographic Practice, Perception and Memory in À la recherche du temps perdu''Mais dans les beaux livres, tous les contresens qu'on fait sont beaux': Marcel Proust, Raoul Ruiz, Volker Schlöndorf fand Harold Pinter; In praise of iconoclasm: Reflections on the Improbable 'Illustration' of À la Recherche; Intermedial Proust: Harold Pinter and Di Trevis's Stage Adaptation of À la recherche du temps perdu; Index.

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