La francophonie ou l'éloge de la diversité / edited by Michaël Abecassis, Gudrum Ledegen and Karen Zouaoui.

Contributor(s):

Material type: Text

TextLanguage: French, English Publication details: Newcastle upon Tyne : Cambridge Scholars Pub., 2011.Description: 1 online resource (viii, 194 pages) : illustrations, mapContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443830430
1443830437

Subject(s): Genre/Form:

DDC classification:

791.430917541

LOC classification:

DC33.9 .F73 2011eb

Online resources:

Click here to access online

Contents:

TABLE OF CONTENTS; INTRODUCTION; LE CINÉMA FRANCOPHONE, ENTRE BOLLYWOOD ET HOLLYWOOD; LE FRANÇAIS DANS LE CINÉMA BURKINABÉ; BILAN D'UNE INSULARITÉ; LES STANDARDS DU FRANÇAIS PARLÉ DANS LE CINÉMA FRANCOPHONE ET LA LANGUE DE L'AUTRE; HOLLYWOOD AND WORLD CINEMA INFLUENCES; ARGOT COMMUN DES JEUNES ET FRANÇAIS CONTEMPORAIN DES CITÉS DANS LE CINÉMA FRANÇAIS DEPUIS 1995; LE FRANÇAIS, ENTRE THÉORIE ET PRATIQUE; THE 'WEIGHT' AND PROGNOSIS OF LANGUAGES; LE FRANÇAIS ET LES CRÉOLES À BASE FRANÇAISE; LES RENDEZ-VOUS MANQUÉS DU PLURILINGUISME FRANÇAIS.

Summary: The first part of this volume, ""La Francophonie ou l'éloge de la diversité"", is devoted to ""Francophone cinema, between Bollywood and Hollywood"". What in particular does Francophone cinema have to offer compared Other American or Indian cinema? What more does Francophone cinema have to offer? What genres does it prefer? For what audience? The second part deals Other the promotion of diversity in Francophone countries, taking into consideration the cultural aspects of Francophonie in the 21st century, the linguistic description of systems in contact, tracing the historical stages which have.

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Includes bibliographical references and index.

In French and English.

The first part of this volume, ""La Francophonie ou l'éloge de la diversité"", is devoted to ""Francophone cinema, between Bollywood and Hollywood"". What in particular does Francophone cinema have to offer compared Other American or Indian cinema? What more does Francophone cinema have to offer? What genres does it prefer? For what audience? The second part deals Other the promotion of diversity in Francophone countries, taking into consideration the cultural aspects of Francophonie in the 21st century, the linguistic description of systems in contact, tracing the historical stages which have.

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