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How the films of Pedro Almodóvar draw upon and influence Spanish society : bilingual essays on his cinema / edited by María R. Matz and Carole Salmon ; with a preface by Brad Epps.

Contributor(s): Material type: TextTextLanguage: English, Spanish Publisher: Lewiston : Edwin Mellen Press, 2012Description: 1 online resource (266 pages) : color illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780773411494
  • 0773411496
Subject(s): Genre/Form: Additional physical formats: Print version:: How the Films of Pedro Almodóvar Draw Upon and Influence Spanish Society : Bilingual Essays on His Cinema.DDC classification:
  • 791.4302/33092 23
LOC classification:
  • PN1998.3.A46 H69 2012
Online resources:
Contents:
Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- List of Illustrations -- Acknowledgements -- Preface / By Brad Epps -- Spain's True Colors: The Almodóvar Phenomenon / María R. Matz and Carole Salmon, editors -- Facing Almodóvar's Vision of Spanish Contemporary Society: Women, Men and Everyone in Between / María R. Matz and Carole Salmon -- Masculinities -- Maskulinities, or Why does Almodóvar outcast Men? / Jean Xavier Brager -- The Color of Authorship: Almodóvar's Labyrinth of Red / Michael Rennett -- Allegories of Authenticity: Production Design in Pedro Almodóvar's ¡Átame! and Todo sobre mi madre / Margret Nisch -- El cine dentro del cine en la obra de Pedro Almodóvar: pasión cinéfila y tradición barroca / Javier Herrera -- ¿Hacer cine como si Franco no hubiera existido? / Antonio Francisco Pedrós-Gascón -- Mujeres al rescate: imaginación creadora como atributo femenino en el cine de Pedro Almodóvar / Hilda Chacón -- Made in Spain: el fenómeno Almodóvar / María R. Matz -- Pedro Almodóvar's Filmography -- Selected Bibliography on Pedro Almodóvar -- Index.
Summary: In the films of Pedro Almodóvar one experiences a vivid representation of Spanish life. His films are discussed here in lieu of gender relations, power dynamics, Spanish cultural identity, and inter-textually with other directors such as Alfred Hitchcock. The essays are written in both English and Spanish. They try to bring together a broad variety of interpretations to his popular films. Many articles deal with issues of gender and representations of cultural iconography from Catholicism on love and death. Through a variety of authors and angles, as well as in two languages, this volume opens.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

In English and Spanish.

Includes filmography.

Includes bibliographical references (pages 229-236) and index.

Title Page -- Copyright Page -- Dedication Page -- Table of Contents -- List of Illustrations -- Acknowledgements -- Preface / By Brad Epps -- Spain's True Colors: The Almodóvar Phenomenon / María R. Matz and Carole Salmon, editors -- Facing Almodóvar's Vision of Spanish Contemporary Society: Women, Men and Everyone in Between / María R. Matz and Carole Salmon -- Masculinities -- Maskulinities, or Why does Almodóvar outcast Men? / Jean Xavier Brager -- The Color of Authorship: Almodóvar's Labyrinth of Red / Michael Rennett -- Allegories of Authenticity: Production Design in Pedro Almodóvar's ¡Átame! and Todo sobre mi madre / Margret Nisch -- El cine dentro del cine en la obra de Pedro Almodóvar: pasión cinéfila y tradición barroca / Javier Herrera -- ¿Hacer cine como si Franco no hubiera existido? / Antonio Francisco Pedrós-Gascón -- Mujeres al rescate: imaginación creadora como atributo femenino en el cine de Pedro Almodóvar / Hilda Chacón -- Made in Spain: el fenómeno Almodóvar / María R. Matz -- Pedro Almodóvar's Filmography -- Selected Bibliography on Pedro Almodóvar -- Index.

In the films of Pedro Almodóvar one experiences a vivid representation of Spanish life. His films are discussed here in lieu of gender relations, power dynamics, Spanish cultural identity, and inter-textually with other directors such as Alfred Hitchcock. The essays are written in both English and Spanish. They try to bring together a broad variety of interpretations to his popular films. Many articles deal with issues of gender and representations of cultural iconography from Catholicism on love and death. Through a variety of authors and angles, as well as in two languages, this volume opens.

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