Copyright and the music marketplace : analysis, challenges, and recommendations for improvement / Keith Turner, editor.

Contributor(s):

Turner, Keith B [editor.]

Material type: Text

TextSeries: Fine arts, music and literaturePublisher: New York : Nova Science Publishers, Inc., [2015]Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781634828703
1634828704

Subject(s): Genre/Form:

Additional physical formats: Print version:: Copyright and the music marketplaceDDC classification:

346.7304/82 23

LOC classification:

KF3035

Online resources:

Click here to access online

Contents:

Copyright and the music marketplace / Office of the General Counsel, U.S. Copyright Office -- Testimony of Lee Thomas Miller, President, Nashville Songwriters Association International : hearing on "Music licensing under Title 17 part one" -- Statement of Neil Portnow, President and CEO, The Recording Academy : hearing on "Music licensing under Title 17 part one" -- Testimony of David M. Israelite, President and Chief Executive Officer, National Music Publishers' Association : hearing on "Music licensing under Title 17 part one" -- Statement of Michael O'Neill, Chief Executive Officer, BMI : hearing on "Music licensing under Title 17 part one" -- Testimony of Rosanne Cash, singer, songwriter, on behalf of the American Music Association : hearing on "Music licensing under Title 17 part two" -- Statement of Cary Sherman, Chairman and CEO, Recording Industry Association of America : hearing on "Music licensing under Title 17 part two" -- Statement of Charles M. Warfield, Jr., Senior Advisor, YMF Media, LLC : hearing on "Music licensing under Title 17 part two" -- Statement of Paul Williams, President and Chairman of the Board, American Society of Composers, Authors and Publishers (ASCAP) : hearing on "Music licensing under Title 17 part two" -- Testimony of Chris Harrison, Vice President, Business Affairs, Pandora Media Inc. : hearing on "Music licensing under Title 17 part two."

Summary: The United States has the most innovative and influential music culture in the world, but much of the legal framework for licensing of music dates back to the early part of the twentieth century, long before the digital revolution in music. Our licensing system is founded on a view that the music marketplace requires a unique level of government regulation, much of it reflected in statutory licensing provisions of the Copyright Act. The Copyright Office believes that the time is ripe to question the existing paradigm for the licensing of musical works and sound recordings and consider meaningf.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references and index.

Description based on print version record and CIP data provided by publisher.

The United States has the most innovative and influential music culture in the world, but much of the legal framework for licensing of music dates back to the early part of the twentieth century, long before the digital revolution in music. Our licensing system is founded on a view that the music marketplace requires a unique level of government regulation, much of it reflected in statutory licensing provisions of the Copyright Act. The Copyright Office believes that the time is ripe to question the existing paradigm for the licensing of musical works and sound recordings and consider meaningf.

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