Photography and Cinema : 50 Years of Chris Marker La JetŒe / edited by Margarida Medeiros, Teresa Mendes Flores and Joana Cunha Leal.

Includes bibliographical references and index.

Print version record.

Intro; Table of Contents; List of Illustrations; Contributors; Introduction; Chapter One; Chapter Two; Chapter Three; Index; 1. Photography and Fetish; 2. The Play between Still and Moving Images; 3. Stereoscopy, Film and Time-Image. An Improbable Encounter; 4. The Phantom-Image; 5. Written Black and White Images; 6. Cinematic Photography; 7. "Kiss The Past Hello"; 1. Re-working Family Memories in Ruined Images; 2. Ghosts in the House of Gávea; 3. The Imprisoned Images; 4. The Face of a Woman to Survive the War; 5. Digging the Archive; 1. The Musealisation of Experience; 2. Marker's Parallax.

3. Film and Memory4. An Interval between Movements; 5. Theorizing La Jetée and Twelve Monkeys, but also Vertigo; 6. Time, Gaze and Memory in Chris Marker's Work; 7. Can Good Come of the Visual Poetry of Torture in Chris Marker'sLa Jetée and W.G. Sebald's The Rings of Saturn?

Eclecticism seems to be one of the most recognized features of Chris Marker's work. He is often presented as a filmmaker and a photographer, a poet, a translator, a cartoonist, a visual artist, an editor, a software designer and a television and video director. Given the 50 years since the release of his most well-known film, La Jetée (1963), this volume fosters discussion of the intertwining of photography and cinema within a framework that analyses Marker's influence in film and photography's scholarship. In the last ten years, many books have been published on the subjects of photography and.

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