The early American daguerreotype : cross-currents in art and technology / Sarah Kate Gillespie.
Material type: TextSeries: Lemelson Center studies in invention and innovationPublisher: Cambridge, Massachusetts : MIT Press ; Washington, DC : The Lemelson Center, Smithsonian Institution, [2016]Copyright date: ©2016Description: 1 online resource (x, 213 pages) : illustrations (some color)Content type:- text
- computer
- online resource
- 9780262334099
- 0262334097
- 9780262334082
- 0262334089
- Daguerreotype -- United States -- History -- 19th century
- Photographers -- United States -- Biography
- Daguerréotype -- États-Unis -- Histoire -- 19e siècle
- Photographes -- États-Unis -- Biographies
- BIOGRAPHY & AUTOBIOGRAPHY -- General
- PHOTOGRAPHY -- Techniques -- General
- Daguerreotype
- Photographers
- United States
- 1800-1899
- 772/.12 23
- TR365 .G555 2015eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Print version record.
Foreword; Acknowledgments; Introduction; 1 "Rembrandt Perfected"; 2 "All Nature Shall Be Henceforth Its Own Painter"; 3 "We Will Not Bore Our Readers with Any More Chemistry"; 4 "The American Process"; Conclusion; Notes; Bibliography; Index.
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology.
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