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The early American daguerreotype : cross-currents in art and technology / Sarah Kate Gillespie.

By: Contributor(s): Material type: TextTextSeries: Lemelson Center studies in invention and innovationPublisher: Cambridge, Massachusetts : MIT Press ; Washington, DC : The Lemelson Center, Smithsonian Institution, [2016]Copyright date: ©2016Description: 1 online resource (x, 213 pages) : illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780262334099
  • 0262334097
  • 9780262334082
  • 0262334089
Subject(s): Genre/Form: Additional physical formats: Print version:: Early American daguerreotypeDDC classification:
  • 772/.12 23
LOC classification:
  • TR365 .G555 2015eb
Online resources:
Contents:
Foreword; Acknowledgments; Introduction; 1 "Rembrandt Perfected"; 2 "All Nature Shall Be Henceforth Its Own Painter"; 3 "We Will Not Bore Our Readers with Any More Chemistry"; 4 "The American Process"; Conclusion; Notes; Bibliography; Index.
Summary: The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology.
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Foreword; Acknowledgments; Introduction; 1 "Rembrandt Perfected"; 2 "All Nature Shall Be Henceforth Its Own Painter"; 3 "We Will Not Bore Our Readers with Any More Chemistry"; 4 "The American Process"; Conclusion; Notes; Bibliography; Index.

The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology.

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