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Beyond the flesh : Alexander Blok, Zinaida Gippius, and the Symbolist sublimation of sex / Jenifer Presto.

By: Material type: TextTextPublication details: Madison, Wis. : University of Wisconsin Press, ©2008.Description: 1 online resource (xviii, 334 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780299229535
  • 029922953X
  • 0299229505
  • 9780299229504
  • 1282697501
  • 9781282697508
  • 9786612697500
  • 6612697504
Subject(s): Genre/Form: Additional physical formats: Print version:: Beyond the flesh.DDC classification:
  • 891.71/3 22
LOC classification:
  • PG3453.B6 Z69575 2008eb
Online resources:
Contents:
Poetry against progeny: Blok and the problem of poetic reproduction. Unbearable burdens: Blok and the modernist resistance to progeny ; Recurring nightmares: Blok, Freud, and the specter of Die Ahnfrau ; Reproductive fantasies: Blok and the creation of The Italian verses ; A time of troubles: Blok and the disruption of poetic succession -- Writing against the body: Gippius and the problem of lyric embodiment. Style "femme": Gippius and the resistance to feminine writing ; The dandy's gaze: Gippius and disdainful desire for the feminine ; Eternal feminine problems: Gippius, Blok, and the incarnation of the ideal ; Body trouble: Gippius and the staging of an anatomy of criticism -- Afterword: the return of the repressed: illegitimate babies and an unwieldy body.
Summary: Though the Russian Symbolist movement was dominated by a concern with transcending sex, many of the writers associated with the movement exhibited an intense preoccupation with matters of the flesh. Drawing on poetry, plays, short stories, essays, memoirs, and letters, as well as feminist and psychoanalytic theory, Beyond the Flesh documents the often unexpected form that this obsession with gender and the body took in the life and art of two of the most important Russian Symbolists. Jenifer Presto argues that the difficulties encountered in reading Alexander Blok and Zinaida Gippius within either a feminist or a traditional, binary gendered framework derive not only from the peculiarities of their creative personalities but also from the specific Russian cultural context. Although these two poets engaged in gendered practices that, at times, appeared to be highly idiosyncratic and even incited gossip among their contemporaries, they were not operating in a vacuum. Instead, they were responding to philosophical concepts that were central to Russian Symbolism and that would continue to shape modernism in Russia.
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Poetry against progeny: Blok and the problem of poetic reproduction. Unbearable burdens: Blok and the modernist resistance to progeny ; Recurring nightmares: Blok, Freud, and the specter of Die Ahnfrau ; Reproductive fantasies: Blok and the creation of The Italian verses ; A time of troubles: Blok and the disruption of poetic succession -- Writing against the body: Gippius and the problem of lyric embodiment. Style "femme": Gippius and the resistance to feminine writing ; The dandy's gaze: Gippius and disdainful desire for the feminine ; Eternal feminine problems: Gippius, Blok, and the incarnation of the ideal ; Body trouble: Gippius and the staging of an anatomy of criticism -- Afterword: the return of the repressed: illegitimate babies and an unwieldy body.

Includes bibliographical references (pages 251-315) and index.

Print version record.

Though the Russian Symbolist movement was dominated by a concern with transcending sex, many of the writers associated with the movement exhibited an intense preoccupation with matters of the flesh. Drawing on poetry, plays, short stories, essays, memoirs, and letters, as well as feminist and psychoanalytic theory, Beyond the Flesh documents the often unexpected form that this obsession with gender and the body took in the life and art of two of the most important Russian Symbolists. Jenifer Presto argues that the difficulties encountered in reading Alexander Blok and Zinaida Gippius within either a feminist or a traditional, binary gendered framework derive not only from the peculiarities of their creative personalities but also from the specific Russian cultural context. Although these two poets engaged in gendered practices that, at times, appeared to be highly idiosyncratic and even incited gossip among their contemporaries, they were not operating in a vacuum. Instead, they were responding to philosophical concepts that were central to Russian Symbolism and that would continue to shape modernism in Russia.

English.

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