Global art cinema : new theories and histories / edited by Rosalind Galt, Karl Schoonover.

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Material type: Text

TextPublication details: New York : Oxford University Press, 2010.Description: 1 online resource (xxiv, 384 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780199726295
0199726299

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Additional physical formats: Print version:: Global art cinema.DDC classification:

791.4301 22

LOC classification:

PN1995 .G543 2010eb

Online resources:

Click here to access online

Contents:

Foreword; Contents; Cotributors; Introduction: the impurity of art cinema; Part I. Delimiting the field; Part II. The art cinema image; Part III. Art cinema histories; Part IV. Geopolitical intersections; critical Bibliography; Index.

Summary: "Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film.

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Includes bibliographical references and index.

"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film.

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