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Enabling engagements : Edmund Spenser and the poetics of patronage / Judith Owens.

By: Material type: TextTextPublication details: Montreal, Que. : McGill-Queen's University Press, ©2002.Description: 1 online resource (xii, 183 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780773569973
  • 0773569979
Subject(s): Genre/Form: Additional physical formats: Print version:: Enabling Engagements : Edmund Spenser and the Poetics of Patronage.DDC classification:
  • 821/.3 22
LOC classification:
  • PR2363 .O944 2002eb
Other classification:
  • cci1icc
Online resources:
Contents:
Contents -- Preface -- Acknowledgments -- 1 Contexts -- 2 The Shepheardes Calender -- 3 Commendatory Verses -- 4 The Dedicatory Sonnets -- 5 Ralegh in The Faerie Queene iii -- 6 Conclusion -- Notes -- Works Cited -- Index
Review: "Enabling Engagements contributes to current critical debates regarding early modern subjectivity and early modern cultural capital. In stressing the boldness of Edmund Spenser's poetics of patronage, Judith Owens shows that Elizabethans could and did excercise agency within a wide range of institutions. By consistently challenging assumptions of courtly hegemony in early modern society, Owens suggests a new appraisal of the processes of cultural commodification."--Jacket
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Includes bibliographical references (pages 163-175) and index.

Print version record.

Contents -- Preface -- Acknowledgments -- 1 Contexts -- 2 The Shepheardes Calender -- 3 Commendatory Verses -- 4 The Dedicatory Sonnets -- 5 Ralegh in The Faerie Queene iii -- 6 Conclusion -- Notes -- Works Cited -- Index

"Enabling Engagements contributes to current critical debates regarding early modern subjectivity and early modern cultural capital. In stressing the boldness of Edmund Spenser's poetics of patronage, Judith Owens shows that Elizabethans could and did excercise agency within a wide range of institutions. By consistently challenging assumptions of courtly hegemony in early modern society, Owens suggests a new appraisal of the processes of cultural commodification."--Jacket

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