The art of alibi: English law courts and the novel / Jonathan H. Grossman.

By:

Grossman, Jonathan H

Material type: Text

TextPublication details: Baltimore : Johns Hopkins University Press, 2002.Description: 1 online resource (xii, 202 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

0801877873
9780801877872
080186755X
9780801867552

Subject(s): Genre/Form:

Additional physical formats: Print version:: Art of alibi: English law courts and the novel.DDC classification:

823.009/355

LOC classification:

PR830.L43 G76 2002eb

Online resources:

Click here to access online

Contents:

Introduction -- 1. From scaffold to law court, from criminal broadsheet and biography to newspaper and novel -- 2. Caleb williams and the novel's forensic form -- 3. Mary Shelley's legal frankenstein -- 4. Victorian courthouse structures, the Pickwick papers -- 5. Mary Barton's tell-tale evidence -- 6. The Newgate novel and the advent of detective fiction -- Conclusion.

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Review: "In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 175-196) and index.

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"In The Art of Alibi, Jonathan H. Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, theses scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel." "Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dicknens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s."--Jacket

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL