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The End of Cinema? : a Medium in Crisis in the Digital Age.

By: Contributor(s): Material type: TextTextLanguage: English Original language: French Series: Film and cultureCopyright date: ©2015Description: 1 online resource (257 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231539388
  • 023153938X
  • 0231173571
  • 9780231173575
  • 9780231173568
  • 0231173563
  • 9781336146075
  • 1336146079
Subject(s): Genre/Form: Additional physical formats: Print version:: End of Cinema? : A Medium in Crisis in the Digital Age.DDC classification:
  • 791.4301
LOC classification:
  • PN1995 .G335 2015
Online resources:
Contents:
Introduction: The end of cinema? -- Cinema is not what it used to be -- Digitalizing cinema from top to bottom -- A brief phenomenology of 'digitalized' cinema -- From shooting to filming: the Aufhebung effect -- A medium is always born twice -- New variants of the moving image -- 'Animage' and the new visual culture -- Conclusion: A medium in crisis in the digital age.
Summary: Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the 'double birth of media', André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

Introduction: The end of cinema? -- Cinema is not what it used to be -- Digitalizing cinema from top to bottom -- A brief phenomenology of 'digitalized' cinema -- From shooting to filming: the Aufhebung effect -- A medium is always born twice -- New variants of the moving image -- 'Animage' and the new visual culture -- Conclusion: A medium in crisis in the digital age.

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the 'double birth of media', André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.

Includes bibliographical references and index.

In English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

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