Narration and Spectatorship in Moving Images / edited by Joseph D. Anderson and Barbara Fisher Anderson.

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Material type: Text

TextPublication details: Newcastle upon Tyne : Cambridge Scholars Publishing, 2007.Description: 1 online resource (295 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781443809214
1443809217
1282192817
9781282192812
9786612192814
661219281X

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Narration and Spectatorship in Moving Images.DDC classification:

791.4301

LOC classification:

PN1995.9.A8 N37 2007

Online resources:

Click here to access online

Contents:

TABLE OF CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER ONE; BIO-CULTURALISM; CINEMA AS THE REDEMPTION OF ARCHETYPAL REALITY; CHAPTER TWO; NEUROTRANSMITTER PERSISTENCE, NARRATIVE STRUCTURE, AND EMOTION; EXPANDED EMPATHY; CHAPTER THREE; ASSESSING THE REALITY-STATUS OF FILM; UNDERSTANDING CHARACTER MOTIVATION; CHAPTER FOUR; FORMS MIRRORING FEELINGS; EMBODIED SPACES; CHAPTER FIVE; META-EMOTION AND GENRE PREFERENCE; THE EPISTEMOLOGY OF THE GAZE; CHAPTER SIX; ""THE SEA INSIDE""; RHYTHM AND IMAGE IN DREYER'S FILMS; CHAPTER SEVEN; THE IMPORTANCE OF EMPATHY IN THE ACTOR'S ART.

EMPATHY AND THE EPISODIC STRUCTURE OF ENGAGEMENT IN FICTION FILMCHAPTER EIGHT; VIRTUAL REALITY IN MOVING IMAGES; PERCEPTUAL OPTIMIZATION OF AUDIO-VISUAL MEDIA; CHAPTER NINE; OVERCOMING CONFLICTS BY PLAY; COGNITIVE FILM THEORY AND FILM COMEDY; CHAPTER TEN; OMITTING DEPTH CUES; COGNITION AND THE AESTHETICS OF REEXPERIENCE; CONTRIBUTORS; INDEX.

Summary: Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin ...

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Philosophers and students of the arts have wondered since the time of Aristotle about the nature of aesthetic experience, and how this experience can seemingly be evoked by works of art. For more than a century producers and directors of motion pictures have made decisions about how to craft them based upon assumptions about complex stylistic devices and the effects such patterns of organization have on viewers. Over the past few years film scholars have made considerable progress in analyzin ...