Female Performers in British and American Fiction / Barbara Straumann.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9783110561050
- 3110561050
- 9783110558425
- 3110558424
- Women and literature -- United States -- History -- 19th century
- Women and literature -- Great Britain -- History -- 19th century
- Women entertainers -- United States
- Women entertainers -- Great Britain
- English fiction -- 19th century -- History and criticism
- American fiction -- 19th century -- History and criticism
- English fiction -- Women authors -- History and criticism
- American fiction -- Women authors -- History and criticism
- Femmes et littérature -- États-Unis -- Histoire -- 19e siècle
- Femmes et littérature -- Grande-Bretagne -- Histoire -- 19e siècle
- Femmes artistes du spectacle -- États-Unis
- Femmes artistes du spectacle -- Grande-Bretagne
- Roman anglais -- 19e siècle -- Histoire et critique
- Roman américain -- 19e siècle -- Histoire et critique
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- LANGUAGE ARTS & DISCIPLINES -- Linguistics -- General
- American fiction
- American fiction -- Women authors
- English fiction
- English fiction -- Women authors
- Women and literature
- Women entertainers
- Great Britain
- United States
- 1800-1899
- 420
- PN56.5.W64
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Frontmatter -- Acknowledgments -- Contents -- 1. Introduction -- 2. Corinne and Her Aftereffects on the British Stage -- 3. Visionary Preaching in Britain and America -- 4. American Political Speakers -- 5. Acting Anxieties -- 6. Fin-de-Siècle Ventriloquism and Modernist Self-Authorship -- 7. Conclusion -- Illustration Credits -- Bibliography -- Index.
The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the 'voice' of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation. Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.
In English.
Online resource; title from PDF title page (publisher's Web site, viewed 22. Mai 2018).
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