Coyness and Crime in Restoration Comedy : Women's Desire, Deception, and Agency.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781611483734
- 1611483735
- 1283362449
- 9781283362443
- English drama -- Restoration, 1660-1700 -- History and criticism
- English drama (Comedy) -- History and criticism
- Feminist literary criticism
- Literature and society -- Great Britain -- History -- 17th century
- Sex role in literature
- Women in literature
- Feminist criticism
- Théâtre anglais -- 1660-1700 (Restauration) -- Histoire et critique
- Comédie anglaise -- Histoire et critique
- Critique féministe
- Littérature et société -- Grande-Bretagne -- Histoire -- 17e siècle
- Rôle selon le sexe dans la littérature
- Femmes dans la littérature
- DRAMA -- English, Irish, Scottish, Welsh
- English drama (Comedy)
- English drama -- Restoration
- Feminist literary criticism
- Literature and society
- Sex role in literature
- Women in literature
- Great Britain
- 1600-1700
- 822.309
- PR698.C6
- LIT003000
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Acknowledgments; abbreviations; chapter 1. coyness, conduct, and she would if she could; chapter 2. feminine illusion and masculine violence in wycherley's comedies; chapter 3. unruly women and patriarchal control in dryden's the kind keeper; chapter 4. coyness, love, and money in behn's comedies; chapter 5. liberty and coyness in shadwell's comedies; chapter 6. novelty and coyness in congreve and trotter; chapter 7. marriage, virtue, and coyness in southerne, vanbrugh, and pix; notes; bibliography; index; about the author.
.Cs95E872D0{text-align:left;text-indent:0pt;margin:0pt 0pt 0pt 0pt}.csA62DFD6A{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:italic; }.cs5EFED22F{color:#000000;background-color:transparent;font-family:Times New Roman; font-size:12pt; font-weight:normal; font-style:normal; }Coyness and Crime examines the extraordinary focus on feminine coyness in forty English comedies by ten diverse playwrights of the late seventeenth-century. In contexts ranging from reaffirmations of church and king to emerging interests in liberty and.
Print version record.
Includes bibliographical references and index.
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