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Ecocriticism and the idea of culture : biology and the bildungsroman / Helena Feder.

By: Material type: TextTextPublisher: Surrey, England ; Burlington, Vermont : Ashgate, 2014Copyright date: ©2014Description: 1 online resource (188 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781409401582
  • 1409401588
  • 9781472404114
  • 1472404114
  • 1306549949
  • 9781306549943
  • 140940157X
  • 9781409401575
Subject(s): Genre/Form: Additional physical formats: Print version:: Ecocriticism and the idea of culture : biology and the bildungsroman.DDC classification:
  • 809.3/9353 23
LOC classification:
  • PN3448.B54 .F434 2014eb
Other classification:
  • EC 6701
Online resources:
Contents:
Introduction, biology and the idea of culture -- Candide and the dialectic of enlightenment -- Ecocriticism and the production of monstrosity in Frankenstein -- Placing modernity in Orlando -- Consuming culture in a small place and among flowers -- Dehumanization, animality, and the bildungsroman.
Summary: Arguing that the Bildungsroman is humanist culture's own origin story, Feder draws on the work of biologists in her examination of works by Voltaire, Mary Shelley, Virginia Woolf and Jamaica Kincaid. She dramatizes Western culture's own awareness of the instability of the binary of nature and culture, making a timely intervention in the ongoing culture-nature debate, bridging the gap between cultural theory and biologically grounded research.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Introduction, biology and the idea of culture -- Candide and the dialectic of enlightenment -- Ecocriticism and the production of monstrosity in Frankenstein -- Placing modernity in Orlando -- Consuming culture in a small place and among flowers -- Dehumanization, animality, and the bildungsroman.

Arguing that the Bildungsroman is humanist culture's own origin story, Feder draws on the work of biologists in her examination of works by Voltaire, Mary Shelley, Virginia Woolf and Jamaica Kincaid. She dramatizes Western culture's own awareness of the instability of the binary of nature and culture, making a timely intervention in the ongoing culture-nature debate, bridging the gap between cultural theory and biologically grounded research.

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