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Beyond sinology : Chinese writing and the scripts of culture / Andrea Bachner.

By: Material type: TextTextSeries: Global Chinese culturePublisher: New York : Columbia University Press, [2014]Copyright date: ©2014Description: 1 online resource (xii, 282 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231536301
  • 0231536305
Subject(s): Genre/Form: Additional physical formats: Print version:: Beyond sinologyDDC classification:
  • 495.1/11 23
LOC classification:
  • PL1171 .B25 2014eb
Online resources:
Contents:
Introduction: Script politics -- Corpographies: Death and the sinograph -- National calligraphies -- Iconographies: Poetics of visuality -- On (not) writing Chinese -- Sonographies: Muteness envy -- Sinographic glossolalia -- Allographies: Crypto-Chinese -- Graphic parasites -- Technographies: Radical design -- Under e(rasure) -- Conclusion: Beyond sinology.
Summary: New communication and information technologies remain challenging for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, both within China and different parts of the West. Approaching this history from alternative theoretical perspectives, this volume pinpoints the phenomena binding languages, scripts, and medial expressions to cultural and national ide.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction: Script politics -- Corpographies: Death and the sinograph -- National calligraphies -- Iconographies: Poetics of visuality -- On (not) writing Chinese -- Sonographies: Muteness envy -- Sinographic glossolalia -- Allographies: Crypto-Chinese -- Graphic parasites -- Technographies: Radical design -- Under e(rasure) -- Conclusion: Beyond sinology.

Print version record.

New communication and information technologies remain challenging for the Chinese script, which, unlike alphabetic or other phonetic scripts, relies on multiple signifying principles. In recent decades, this multiplicity has generated a rich corpus of reflection and experimentation in literature, film, visual and performance art, and design and architecture, both within China and different parts of the West. Approaching this history from alternative theoretical perspectives, this volume pinpoints the phenomena binding languages, scripts, and medial expressions to cultural and national ide.

In English.

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