Perspectives on Persian painting : illustrations to Amīr Khusrau's Khamsah / Barbara Brend.
Material type: TextPublisher: London ; New York : RoutledgeCurzon, 2003Description: 1 online resource (xxvii, 324 pages, 16 unnumbered pages of plates) : illustrations (some color)Content type:- text
- computer
- online resource
- 9781136854118
- 1136854118
- 9781315028866
- 1315028867
- Amīr Khusraw Dihlavī, approximately 1253-1325. Khamsah -- Illustrations
- Khamsah (Amīr Khusraw Dihlavī)
- Amīr Husrau. Hamse
- Illumination of books and manuscripts, Iranian
- Islamic illumination of books and manuscripts -- Iran
- Enluminure iranienne
- Enluminure islamique -- Iran
- ART -- Folk & Outsider Art
- CRAFTS & HOBBIES -- Folkcrafts
- Illumination of books and manuscripts, Iranian
- Islamic illumination of books and manuscripts
- Iran
- Buchmalerei
- Miniaturen (handschriften)
- Geïllustreerde handschriften
- Perzische handschriften
- Delhi (sultanaat)
- Herat (provincie)
- Osmaanse rijk
- Mogol-rijk
- 745.6/7/0955 22
- ND3399.A65 B74 2003eb
- 06.10
- 20.47
- EH 5501
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 307-317) and index.
1. The Khamsah in summary -- 2. Manuscripts of western Iran prior to the death of Shah Rukh -- 3. Sultanate manuscripts -- 4. Manuscripts in Turkman styles -- 5. Ottoman manuscripts under Bayezid II -- 6. Classical and sub-classical styles of Herat -- 7. Mughal manuscripts to the period of Jahangir.
"Amir Khusrau (d. Delhi, 1325) is considered the foremost Persian-language poet of the Indian subcontinent. His Khamsah ('Quintet'), composed between 1298 and 1302, follows the main lines of that of the Persian poet Nizami. Although illustrated copies are known from the late fourteenth century onwards, these manuscripts have received relatively little attention due to the absence of a translation."
"This book offers extended summaries of the narratives, and identifies pictures' subjects, thus making available a previously inaccessible subject matter. Some 33 manuscripts from Iran, Ottoman Turkey, and Sultanate and Mughal India are discussed in depth. These manuscripts represent varying levels of production, from the workman-like to the exquisite princely volume. The discussion of individual works is integrated into the historical background and covers issues of dating, origin, painters and their work, patronage, intention and use."--Jacket
Print version record.
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