Beyond alterity : German encounters with modern East Asia / edited by Qinna Shen and Martin Rosenstock.

Includes bibliographical references (pages 281-299) and index.

Introduction : re-investigating a transnational connection : Asian German studies in the new millennium / Martin Rosenstock and Qinna Shen -- Beauty and the beast : Japan in interwar German newsreels / Ricky W. Law -- Reflecting chiral modernities : the function of genre in Arnold Fanck's transnational Bergfilm the Samurai's daughter (1936-37) / Valerie Weinstein -- Prussians of the East : the 1944 Deutsch-Japanische Gesellschaft's essay contest and the transcultural romantic / Sarah Panzer -- Otherness in solidarity : collaboration between Chinese and German left-wing activists in the Weimar Republic / Weijia Li -- A question of ideology and realpolitik : DEFA's Cold War documentaries on China / Qinna Shen -- China past, China present : the Boxer Rebellion in Gerhard Seyfried's Yellow wind (2008) / Martin Rosenstock -- Anna May Wong and Weimar cinema : orientalism in postcolonial Germany / Cynthia Walk -- Rewriting the face, transforming the skin, and performing the body as text : palimpsestuous intertexts in Yuko Tawada's "The bath" / Markus Hallensleben -- Love, pain, and the whole Japan thing : dancing ma in Doris Dörrie's film Cherry blossoms/Hanami / Erika M. Nelson -- Hairnet manufacturing in Vysočina and Shandong 1890-1939 : an early globalizing home industry / Chinyun Lee and Lucie Olivová -- Orbiting around the void : emptiness as recurring topos in recent German short stories on Japan / Gabriele Eichmanns -- Discovering Asia in the footsteps of Portuguese explorers : East Asia in the work of Hugo Loetscher / Jeroen Dewulf.

With the economic and political rise of East Asia in the second half of the twentieth century, many Western countries have re-evaluated their links to their Eastern counterparts. Thus, in recent years, Asian German Studies has emerged as a promising branch within interdisciplinary German Studies. This collection of essays examines German-language cultural production pertaining to modern China and Japan, and explicitly challenges orientalist notions by proposing a conception of East and West not as opposites, but as complementary elements of global culture, thereby urging a move beyond national paradigms in cultural studies. Essays focus on the mid-century German-Japanese alliance, Chinese-German Leftist collaborations, global capitalism, travel, identity, and cultural hybridity. The authors include historians and scholars of film and literature, and employ a wide array of approaches from postcolonial, globalization, media, and gender studies. The collection sheds new light on a complex and ambivalentset of international relationships, while also testifying to the potential of Asian German Studies.

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