Philosophizing rock performace : Dylan, Hendrix, Bowie / Wade Hollingshaus.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780810884052
- 0810884054
- 9781299688605
- 1299688608
- Dylan, Bob, 1941- -- Criticism and interpretation
- Hendrix, Jimi -- Criticism and interpretation
- Bowie, David -- Criticism and interpretation
- Bowie, David
- Dylan, Bob, 1941-
- Hendrix, Jimi
- Rock music -- History and criticism
- Rock (Musique) -- Histoire et critique
- MUSIC -- Genres & Styles -- Heavy Metal
- MUSIC -- Genres & Styles -- Punk
- MUSIC -- Genres & Styles -- Rock
- Rock music
- 781.6609 23
- ML3534
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 159-167) and index.
Description based on print version record and CIP data provided by publisher; resource not viewed.
Title Page -- Acknowledgments -- Introduction -- Bob Dylan and the Gestures of Youth -- The Life and Electrocution of Jimi Hendrix -- A Political Bowie -- Conclusion -- Notes -- Bibliography -- Index -- About the Author.
In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Ranci.
English.
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