Ludics in surrealist theatre and beyond / by Vassiliki Rapti.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 1472412265
- 9781472412263
- 9781472412270
- 1472412273
- Ludics in surrealist theater and beyond
- Breton, André, 1896-1966 -- Influence
- Breton, André, 1896-1966
- Breton, André 1896-1966
- Theater -- History -- 20th century
- Experimental theater
- Surrealism (Literature)
- Théâtre -- Histoire -- 20e siècle
- Surréalisme (Littérature)
- Surrealist
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- Experimental theater
- Influence (Literary, artistic, etc.)
- Surrealism (Literature)
- Theater
- Drama
- Spiel
- Surrealismus
- Theater
- 1900-1999
- 809.2/91163 23
- PN2189 .R37 2013
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes index.
Introduction: Does surrealist theatre exist? -- The surrealist game "one into another" in Nadja and Les Détraquées: reconstructing André Breton's Ludic dramatic theory -- Staging "mad love" in the théâtre Alfred Garry: Breton's Ludic dramatic theory in practice -- Staging child's play in Roger Vitrac's victor or children in power: between Paidia and Ludus -- Playing with language: Antonin Artaud's Paidia and Robert Wilson's Ludus -- Mimicry and post-surrealist Ludics in Megan Terry's "Theatre of transformations."
Print version record.
This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors.
Includes bibliographical references (pages 179-185) and index.
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