Selfhood on the early modern English stage / edited by Pauline Blanc.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781443815628
- 1443815624
- 1282414623
- 9781282414624
- 9786612414626
- 6612414626
- Self in literature -- Congresses
- Drama -- History and criticism -- Congresses
- Moi (Psychologie) dans la littérature -- Congrès
- Théâtre (Genre littéraire) -- Histoire et critique -- Congrès
- Theatre studies
- Literary studies: plays & playwrights
- PERFORMING ARTS -- Theater -- General
- Drama
- Self in literature
- 809.29384 22
- PN56.S46 S45 2008
- PR428.S45 S455 2008
- digitized 2010 HathiTrust Digital Library committed to preserve
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Includes bibliographical references.
pt. 1. Selfhood in its emergent stages -- pt. 2. Selfhood : a cultural and literary construct -- pt. 3. Selfhood and Hamlet -- pt. 4. Selfhood and signature -- pt. 5. Selfhood and royal affiliation.
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
The twelve essays in Selfhood on the Early Modern English Stage analyse the influences that shaped the fictional constructs that inhabited the drama of the early modern period. The contributors, all specialists in the field working in France and England, offer a wide spectrum of views and discuss a variety of dramatic texts ranging from late medieval cycle plays and interludes of the Tudor period, to plays by Marlowe, Shakespeare, Tourneur and Jonson. The early modern stage self emerges out o ...
English.
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